News
Art Dealers Association of America "The Art Show" 2010 Charline von Heyl, Booth #A1 – March 3 - 7, 2010
Friedrich Petzel Gallery is pleased to present a solo booth of painter Charline von Heyl at "The Art Show". The art fair will take place at the Park Avenue Armory. Gala evening is on Tuesday March 2, from 5:30 - 9:30pm.
The Armory Show Sean Landers, Pier 92, Booth #633 – March 4 - 7, 2010
Please join us at "The Armory Show" taking place at Pier 92. Vernissage is Wednesday March 3rd from noon to 8pm.
Matthew Brannon, Wade Guyton "Beg, Borrow, Steal" Rubell Family Collection, Miami – December 3, 2009 - May 29, 2010
Matthew Brannon "Embrace!", Denver Art Museum, Denver – November 14, 2009 - March 28, 2010
Group exhibition curated by Christoph Heinrich
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Andrea Fraser "Autumn Masterpieces: Highlights from the Permanent Collection", Centre for Contemporary Photography, Melbourne Australia – March 18 - May 16, 2010
Andrea Fraser "Substitute Teacher" Atlanta Contemporary Art Center, Georgia – March 5 - May 16, 2010
Co-curated by Regine Basha and Stuart Horodner
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Wade Guyton Museum Ludwig, Cologne, Germany – April 23 - August 15, 2010
Others have painted with brushes, with light, with sounds, even with metaphors.
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Wade Guyton "Fade into You" Herald St, London, UK – March 12 - April 11, 2010
With Matti Braun, Marieta Chirulescu, Michael Dean, Ida Ekblad, Alois Godinat, Rudolf Stingel, Padraig Timoney
Dana Hoey "Experiments in Primitive Living", Center for Art, Design and Visual Culture, University of Maryland, Baltimore – February 4 - March 20, 2010
curated by Maurice Berger
This exhibition and catalog will focus on a recent cycle of 50 color photographs by New York artist Dana Hoey—Experiments in Primitive Living. Insects, old women, tools, and instruments of survival, such as the emergency radio, the flashlight, or the compass, inhabit these images—a vividly imagined world withering under five different weather conditions: ash, freeze, thaw, flood and drought.
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Sean Landers [sic] a reading presented by Art Production Fund and White Columns, hosted by Saatchi & Saatchi – February 27, 2010, 6:00pm to 2:00am
A one time only performance reading on Saturday, February 27, 2010 from 6:00
PM - 2AM
Hosted by Saatchi & Saatchi
375 Hudson Street (enter on King Street between Hudson and Greenwich)
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Sean Landers "1991 - 1994, Improbably History", Contemporary Art Museum St. Louis – January 22 - April 11, 2010
The Contemporary Art Museum St. Louis presents the first survey of the early work of New York-based Sean Landers.
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Maria Lassnig "Vermeer. Die Malkunst Spurensicherung an einem Meisterwerk", Kunsthistorischs Museum, Vienna, Austria – January 25 - April 25, 2010
Maria Lassnig Lenbachhaus, Munich Germany – February 27 - May 30, 2010
To mark her ninetieth birthday in 2009 the Lenbachhaus is presenting a comprehensive solo show in the Kunstbau.
Curated by Matthias Mühling
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Sarah Morris "Contemplating the Void" Guggenheim Musuem, NY – February 12 - April 28, 2010
For the building's 50th anniversary, the Guggenheim Museum invited nearly two hundred artists, architects, and designers to imagine their dream interventions in the space for the exhibition Contemplating the Void: Interventions in the Guggenheim Museum.
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Jorge Pardo Irish Musuem of Modern Art, Dublin, Ireland – February 17 - May 3, 2010
Cuban-American artist Jorge Pardo returns to IMMA with his first major solo exhibition in Ireland.
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Stephen Prina "Stephen Prina: Modern Movie Pop", Contemporary Art Museum St. Louis – January 22 - April 11, 2010
The Contemporary Art Museum St. Louis presents a new exhibition by American artist Stephen Prina. For thirty-years, Prina has played with the role of the artwork within cultural, art-historical, institutional, and personal networks.
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Corinne Wasmuht "SUPRACITY", Kunsthalle Nurnberg, Germany – March 11 - May 16, 2010
The panel pictures by Corinne Wasmuht, painted on wood using a time-consuming technique of glazing – a meticulous process of image creation reminiscent of the old masters –, are developed in stark contrast to the omnipresent rush of mass-media images. Her works are so complex and convoluted, in terms of both their content and technique, that she only produces a few painted panels each year.
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