News
Allan McCollum São Paulo Biennial, São Paulo, Brazil – October 26 - December 6, 2008
Jorge Pardo & Philippe Parreno "Theanyspacewhatever", Guggenheim Museum – October 24 - January 7, 2009
Organized by the museum's Chief Curator, Nancy Spector, in close collaboration with the artists, the exhibition will present a genealogy of their shared history through site-specific installations of new, often self-reflexive works created on the occasion of this project.
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Organized by the museum's Chief Curator, Nancy Spector, in close collaboration with the artists, the exhibition will present a genealogy of their shared history through site-specific installations of new, often self-reflexive works created on the occasion of this project.
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Capitain & Petzel – Opening October 12, 2008
Friedrich Petzel and Gisela Capitain are pleased to announce the
inauguration of their new gallery Capitain & Petzel.
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Friedrich Petzel and Gisela Capitain are pleased to announce the
inauguration of their new gallery Capitain & Petzel.
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Maria Lassnig "WACK! Art and the Feminist Revolution", Vancouver Art Gallery, Canada – October 4, 2008 - January 11, 2009
curated by Connie Butler
curated by Connie Butler
Heimo Zobernig Tate St. Ives, Cornwall, UK – October 4, 2008 - January 11, 2009
For this exhibition Zobernig has been invited to respond to both the building and the context of Tate St Ives. It will include new work, together with a number of important sculptures and paintings produced throughout his career.
curated by Martin Clark
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For this exhibition Zobernig has been invited to respond to both the building and the context of Tate St Ives. It will include new work, together with a number of important sculptures and paintings produced throughout his career.
curated by Martin Clark
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Wade Guyton Portikus, Frankfurt am Main, Germany – September 27 - November 9, 2008
Maria Lassnig Contemporary Arts Center, Cincinnati – September 25 - January 11, 2009
Curated by Julia Peyton-Jones and Hans Ulrich Obrist in association with Rebecca Morrill. This exhibition marks the first solo show for Austrian painter Maria Lassnig in the United States.
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Curated by Julia Peyton-Jones and Hans Ulrich Obrist in association with Rebecca Morrill. This exhibition marks the first solo show for Austrian painter Maria Lassnig in the United States.
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Jorge Pardo "Jorge Pardo: House", Museum of Contemporary Art, Cleveland – September 12 - December 28, 2008
Organized by the Museum of Contemporary Art North Miami, Jorge Pardo: House is the first comprehensive U.S. museum exhibition of Los Angeles-based artist, Jorge Pardo. Accompanied by an illustrated catalogue, this nationally touring solo exhibition spans Pardo's career to include more than seventy seminal works.
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Organized by the Museum of Contemporary Art North Miami, Jorge Pardo: House is the first comprehensive U.S. museum exhibition of Los Angeles-based artist, Jorge Pardo. Accompanied by an illustrated catalogue, this nationally touring solo exhibition spans Pardo's career to include more than seventy seminal works.
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Philippe Parreno "The Puppet Show", The Contemporary Museum, Honolulu Hawaii – September 5 - November 23, 2008
Stephen Prina Staatliche Kunsthalle Baden-Baden, Germany – July 19 - October 5, 2008
The exhibition at the Staatliche Kunsthalle Baden-Baden is the first extensive retrospective exhibition of works by Stephen Prina in Europe. In addition to painting and photography the show will include room installations which take the peculiarities of the venue into account and enter into an exhilarating relationship with the architecture of the Kunsthalle.
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The exhibition at the Staatliche Kunsthalle Baden-Baden is the first extensive retrospective exhibition of works by Stephen Prina in Europe. In addition to painting and photography the show will include room installations which take the peculiarities of the venue into account and enter into an exhilarating relationship with the architecture of the Kunsthalle.
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Keith Edmier "Keith Edmier: & Episode 1" Unversity Art Museum, University at Albany, State Univeristy of New York – July 10 - September 21, 2008
Keith Edmier, known for his elegiac sculptures and installations based on childhood memory curates an exhibition of autobiographical objects and ephemera that have influenced his early aesthetic development.
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Keith Edmier, known for his elegiac sculptures and installations based on childhood memory curates an exhibition of autobiographical objects and ephemera that have influenced his early aesthetic development.
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Heimo Zobernig & Maria Lassnig 'K08: Emancipation and Confrontation - Art from Carinthia from 1945 to Present" Austria – July 6 - November 2, 2008
K08 : Emancipation and Confrontation documents how a new generation of artists set out on new paths in art after 1945 and explores this development to the immediate present.
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K08 : Emancipation and Confrontation documents how a new generation of artists set out on new paths in art after 1945 and explores this development to the immediate present.
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Thomas Eggerer "Navigator", Frans Hals Museum, The Netherlands – July 5 - September 28, 2008
NAVIGATOR
Thomas Eggerer in conversation with Jacob van Ruisdael and Pieter Saenredam
Thomas Eggerer's painting technique is not aimed at an ideal beauty or aesthetics. Neither is painting for him a spontaneous eruption of feelings or emotions. His paintings rather testify to an intellectual layeredness and are reasoned out in great detail. In each painting Eggerer (Munich, 1963) seeks out the small margin in which (painterly) feeling and (organized) intellect meet each other and gain a balance.
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NAVIGATOR
Thomas Eggerer in conversation with Jacob van Ruisdael and Pieter Saenredam
Thomas Eggerer's painting technique is not aimed at an ideal beauty or aesthetics. Neither is painting for him a spontaneous eruption of feelings or emotions. His paintings rather testify to an intellectual layeredness and are reasoned out in great detail. In each painting Eggerer (Munich, 1963) seeks out the small margin in which (painterly) feeling and (organized) intellect meet each other and gain a balance.
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Dirk Skreber "Blutgeschwindigkeit Blood Speed" Museum Franz Gertsch, Burgdorf Switzerland – July 4 - October 26, 2008
Whether car crashes, aeroplane disasters, tornados or other catastrophes – Dirk Skreber's painting bewilders and fascinates one at the same time: his landscapes, empty of people and giving the impression of staged still-lifes, are grotesque and haunting. He works using photographic paradigms from newspapers or the internet and seduces the viewer with the alienation of familiar motifs taken from everyday life.
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Whether car crashes, aeroplane disasters, tornados or other catastrophes – Dirk Skreber's painting bewilders and fascinates one at the same time: his landscapes, empty of people and giving the impression of staged still-lifes, are grotesque and haunting. He works using photographic paradigms from newspapers or the internet and seduces the viewer with the alienation of familiar motifs taken from everyday life.
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Wade Guyton, Stephen Prina, Cosima von Bonin, Charline von Heyl "Painting Now and Forever: Part II" at Matthew Marks Gallery & Greene Naftali Gallery, NY – July 2 - August 15, 2008
Thomas Eggerer "Idle Youth" Gladstone Gallery, New York – June 26th - August 15, 2008
curated by Russell Ferguson
curated by Russell Ferguson
Tobias Rehberger "The Chicken-and-Egg-No-Problem Wall Painting" Museum Ludwig, Cologne, Germany – June 27 - September 21, 2008
With this installation, originally devised for the Stedelijk Museum CS in Amsterdam and now redeveloped for Museum Ludwig, Tobias Rehberger transposes three dimension into two. By combining this play of light with painting for the creation of his mural, he keeps the dependency between the objects in space and what is depicted on the wall – for if the lights went out the mural would more or less disappear.
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With this installation, originally devised for the Stedelijk Museum CS in Amsterdam and now redeveloped for Museum Ludwig, Tobias Rehberger transposes three dimension into two. By combining this play of light with painting for the creation of his mural, he keeps the dependency between the objects in space and what is depicted on the wall – for if the lights went out the mural would more or less disappear.
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Jon Pylypchuk "I Won't Grow Up" at Cheim & Read, NY – June 26 - August 29, 2008
Jon Pylypchuk "Lustwarande 08, Wanderland" Fundament Foundation, Tilburg, The Netherlands – June 28 - September 28, 2008
Joyce Pensato & Nicola Tyson "No Images of Man" Gering & Lopez, NY – June 25 - August 22, 2008
curated by Mitchell Algus
curated by Mitchell Algus
Andrea Fraser "That Was Then...This Is Now", P.S.1 Contemporary Art Center, New York – June 22 - September 22, 2008
Inspired by the artistic and socio-political climate of the late 1960s, this exhibition brings together an international and intergenerational group of artists working within three iconographic themes: flags, weapons, and dreams.
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Inspired by the artistic and socio-political climate of the late 1960s, this exhibition brings together an international and intergenerational group of artists working within three iconographic themes: flags, weapons, and dreams.
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Tobias Rehberger "Holidays in the Sun", MuseuSerralves Museu de Arte Contemporanea, Porto, Portugal – June 21 - September 7, 2008
curated by Joao Fernadez
curated by Joao Fernadez
Andrea Fraser "Museum as Medium", Museo de Arte Contemporánea de Vigo, Spain – June 20 - September 28, 2008
Matthew Brannon "Not So Subtle Subtitle", curated by Matthew Brannon at Casey Kaplan Gallery, NY – June 19 - August 1, 2008
exhibition includes works by Wade Guyton, Sarah Morris, and Stephen Prina
exhibition includes works by Wade Guyton, Sarah Morris, and Stephen Prina
Seth Price Kunsthalle Zürich, Switzerland – June 1 - August 17, 2008
Sarah Morris "Black Beetle", Foundation Beyeler, Switzerland – June 1 - September 7, 2008
The Fondation Beyeler is presenting a project by the New York artist Sarah Morris (*1967) in its lower-level exhibition spaces. Morris has executed a new, very long mural ("Black Beetle," 23.7 x 3.8 meters) that reflects her interest in origami, a Japanese paper-folding technique that originated in China. The work is supplemented by selected paintings from her series "Capital" and "Rings," begun in 2001 and 2006. In addition, the Fondation plans a program of Morris's films on New York, Washington, D.C., and Los Angeles.
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The Fondation Beyeler is presenting a project by the New York artist Sarah Morris (*1967) in its lower-level exhibition spaces. Morris has executed a new, very long mural ("Black Beetle," 23.7 x 3.8 meters) that reflects her interest in origami, a Japanese paper-folding technique that originated in China. The work is supplemented by selected paintings from her series "Capital" and "Rings," begun in 2001 and 2006. In addition, the Fondation plans a program of Morris's films on New York, Washington, D.C., and Los Angeles.
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Sarah Morris "1972" Städtische Galerie im Lenbachhaus, Munich, Germany – April 25 - September 21, 2008
The Lenbachhaus is now premiering Sarah Morris's seventh film "1972".
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The Lenbachhaus is now premiering Sarah Morris's seventh film "1972".
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Andrea Fraser "Psycho Buildings: Art and Architecture" Hayward Gallery, London – May 28 - August 25, 2008
Taking its title from a book by artist Martin Kippenberger, the exhibition brings together the work of artists who create habitat-like structures and architectural environments that are mental and perceptual spaces as much as physical ones.
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Taking its title from a book by artist Martin Kippenberger, the exhibition brings together the work of artists who create habitat-like structures and architectural environments that are mental and perceptual spaces as much as physical ones.
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Allan McCollum "Peripheral Look and Collective Body" Museion Modern and Contemporary, Bolzano Italy – May 24 - September 24, 2008
Maria Lassnig "Life on Mars" 55th Carnegie International, Carnegie Museum of Art, Pittsburgh – May 3 - January 1, 2008