Join us on Saturday, April 11, 2026, at 4pm at Petzel for a conversation with Zorawar Sidhu and Rob Swainston, joined by Lauren Rosenblum, Jensen Bryan Curator at The Print Center Philadelphia. The conversation coincides with Sidhu & Swainston’s presentation in The Viewing Room series opening Saturday, April 4, 2026.
RSVP is required as space is limited; please email press@petzel.com to reserve your seat.
About Zorawar Sidhu and Rob Swainston
Zorawar Sidhu and Rob Swainston are a collaborative art duo exploring the intersection of historical print processes with contemporary technologies. Their projects investigate the complexities of contemporary social issues by drawing from the history of print as the medium par excellence of social movements. They have exhibited together at the Hall Art Foundation, Reading (2024); University at Buffalo Anderson Gallery, Buffalo (2024); Staatliche Museen zu Berlin, Berlin (2024); Jordan Schnitzer Family Foundation, Portland (2023); Museum of Contemporary Art Arlington, Arlington (2023); The Patricia and Philip Frost Art Museum, Miami (2023); Syracuse University Art Museum, Syracuse (2023); United States Department of State, Washington, D.C. (2023); Princeton University Art Museum, Princeton (2023); among others.
Sidhu and Swainston’s collaborative work is included in the collections of the Art Museum of West Virginia University, Morgantown, West Virginia ; Hall Collection, Reading, Vermont; Jordan Schnitzer Family Foundation, Portland, Oregon; Mead Art Museum, Amherst, Massachusetts; Museum of Fine Arts, Houston, Texas; Museum of Modern Art, New York, New York; New York Public Library, New York, New York; National Gallery of Art, Washington, DC; Staatliche Museen zu Berlin, Berlin, Germany; and the Syracuse University Art Museum, Syracuse, New York.
About Lauren Rosenblum
Lauren Rosenblum is the Jensen Bryan Curator at The Print Center in Philadelphia. She has worked in curatorial departments at the Philadelphia Museum of Art and the Museum of Fine Arts, Houston. A doctoral candidate in art history at The Graduate Center, City University of New York, Rosenblum is writing a dissertation on mid-twentieth century collaborative printmaking in the United States.