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Frieze
The Self-Concealing Craft of Kristin Walsh
September 26, 2024
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The New Yorker
An Artist Flowering in Her Nineties
July 22, 2024
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ArtReview
Yael Bartana: Overcoming the Future
July 10, 2024
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The Brooklyn Rail
Malcolm Morley: Painting as Model
July/August 2024
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The New York Times
What to See in N.Y.C. Galleries in July
July 2, 2024
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Elephant
Inside Yael Bartana’s Dream of a Post-Planetary, Boundless Utopia
June 14, 2024
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Elephant
A Deep Dive Into the Whimsical Work of Isabella Ducrot
June 11, 2024
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Spike Art Magazine
Yael Bartana: “The Idea of Utopia in the Wrong Hands Can Be Very Dangerous"
June 9, 2024
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Paper Magazine
Stefanie Heinze Interviews Stefanie Heinze (Again)
June 5, 2024
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Flash Art
Nikita Gale “NOSEBLEED” Petzel Gallery / New York
May 28, 2024
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Mousse Magazine
Seth Price “Before and After Writing” at Galerie Gisela Capitain, Zweigstelle Capitain V – C. A. S. A. Palazzo Degas, Naples
March 4, 2024
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Interview
Artist Nikita Gale Is Watching You From the Nosebleeds
May 9, 2024
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BOMB
Nicola Tyson by Ksenia M. Soboleva
May 6, 2024
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Widewalls
Consortium Museum Presents the First Major Institutional Showcase of Isabella Ducrot Outside of Italy
April 30, 2024
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Artforum
Rezi van Lankveld
April 2024
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Der Bund
Sarah Morris friert den Rausch der Grossstadt ein
March 28, 2024
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Spike Art Magazine
“There Is Something Odd…” at Christine König Galerie
March 26, 2024
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Document Journal
Into the dungeon with Simon Denny
March 19, 2024
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The New York Times
Off the Board Game, Onto the Digital Canvas
March 6, 2024
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The Brooklyn Rail
Simon Denny with Toby Kamps
March 2024
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Prestige
Fragmented Narratives: Artist Sarah Morris Tackles Hong Kong With Her Latest Film, ETC
March 5, 2024
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South China Morning Post
She’s made films about New York, Beijing and more. Now Sarah Morris talks about capturing the aura of Hong Kong in her latest piece, ETC
February 25, 2024
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Hyperallergic
Maria Lassnig’s Triumphant “Little Films”
February 20, 2024
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Flash Art
Raphaela Vogel “In the Expanded Penalty Box: Did You Happen to See the Most Beautiful Fox?” Petzel Gallery / New York
February 19, 2024
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Ocula
In Search of an Infinite California: Simon Denny's 'Optimism'
February 13, 2024
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Art Summit
Art as a Mirror: The World According to Christian Jankowski
February 9, 2024
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Artnet News
A Biopic of Painter Maria Lassnig Will Have Its World Premiere at the Berlinale
February 9, 2024
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The Brooklyn Rail
Raphaela Vogel: In The Expanded Penalty Box: Did You Happen to See the Most Beautiful Fox?
February 2024
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Elephant
Inside Raphaela Vogel's Penalty Box
February 5, 2024
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Collectors Agenda
In the Studio: Simon Denny, Berlin
January 31, 2024
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V Magazine
Dior Reveals its ‘Big Aura’ in its haute couture SS24 collection
January 25, 2024
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Artsy
Loewe and Dior highloght contemporary painters in their Paris fashion shows.
January 25, 2024
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ARTnews
Dior Brings a Nonagenarian Textile Artist to the Couture Stage in Paris
January 24, 2024
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Grazia
The New Look: At Dior's Haute Couture Spring/Summer 2024 Show, A Reimagining of the Famous 'La Cigale' Dress
January 24, 2024
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Designboom
Isabella Ducrot's Textile Art Adorns Dior SS24 Show
January 24, 2024
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Artnet News
See the 93-Year-Old Textile Artist Isabella Ducrot’s Monumental Scenography for Dior Couture
January 23, 2024
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ARTnews
A German Provocateur Makes Her US Debut, Turning Her Probing Lens on Her Viewers
January 19, 2024
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Frankfurter Allgemeine Zeitung
Stahl und Glas in Manhattan
January 9, 2024
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Artnet News
Stefanie Heinze Paints Richly Ambiguous Worlds. Collectors Are Obsessed
December 11, 2023
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The New York Times
Derek Fordjour’s Cabinet of Wonders
December 7, 2023
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Elephant
Ambition and Downfall Coalesce in Derek Fordjour’s Circus
December 5, 2023
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Interview
For Artist Derek Fordjour, What Happens in the Studio Stays in the Studio
November 16, 2023
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Cultured
This Week in Culture: November 13 - 19
November 13, 2023
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W Magazine
All the Must-See Art Shows of 2023 (So Far)
November 13, 2023
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Juxtapoz
Derek Fordjour Will Settle the "SCORE" in Immersive New Exhibition and Performance
November 9, 2023
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Libération
Sean Landers, tartan roi de la jungle
November 7, 2023
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Blue Chip
Austin Martin White FAMILIAR DYSPHORIA at Petzel Gallery
November 4, 2023
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Whitewall
Jorge Pardo Embraces the Endless Possibility of Encounters with Art
November 2, 2023
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Forbes
A Rare And Remarkable Hanne Darboven Retrospective Shows How The Artist Redefined Time And Language
October 27, 2023
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SEEN Magazine
From Tina Turner to Vivaldi, Nikita Gale is Making the Familiar Uncanny
October 25, 2023
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Two Coats of Paint
Charline von Heyl’s audacious eclecticism
October 24, 2023
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Connaissance des Arts
Exposition à Paris : les animaux surréalistes de Sean Landers envahissent le musée de la Chasse et de la nature
October 24, 2023
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The Brooklyn Rail
Charline von Heyl
October 2023
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The Art Newspaper
Installations by Theaster Gates and James Little reinvigorate riverfront park in Memphis
September 25, 2023
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BeauxArts
Quand les artistes explorent l’âme animale
September 22, 2023
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Whitewall
Top Seoul Exhibitions: Suki Seokyeong Kang, Kim Kulim, and More
September 8, 2023
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Cultured
Meet the 5 Women Artists Who Own New York This September
September 7, 2023
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Artnet News
Artists to Watch This Month: 10 Solo Gallery Exhibitions to Seek Out in September in New York
September 6, 2023
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Hypebeast
Tomoo Gokita’s Debut At Petzel Gallery Will Feature New Painting
September 2, 2023
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Fondazione Imago Mundi
Willem de Rooij: interview
September 2023
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Artforum
Seth Price
September 1, 2023
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Border Crossings
Sean Landers
August 2023
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The New York Times
What to See in N.Y.C. Galleries in July
July 6, 2023
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Tomorrow's World Today
AI Technology Used to Create Nostalgic Art
June 12, 2023
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Hyperallergic
Jon Pylypchuk Exorcises His Ghosts
June 6, 2023
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Artforum
Isabella Ducrot
Summer 2023
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Monopol
Maler Pieter Schoolwerth "Das Streben nach Authentizität gehört der Vergangenheit an"
May 26, 2023
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Musée Magazine
Exhibition Review: John Stezaker | Petzel Gallery
May 22, 2023
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The New York Times
For This Artist’s Bar, It Wasn’t Last Call After All
May 5, 2023
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Monopol
Maler Malcolm Morley: Malcolm mittendrin
May 4, 2023
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Art Observed
New York -Seth Price: "Ardomancer" at Petzel through June 3rd, 2023
May 3, 2023
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The New York Times
Mimicking the 19th Century in the Age of A.I.
May 3, 2023
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Galerie Magazine
8 Must-See Gallery Shows Around the U.S. This May
May 2, 2023
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Artforum
The Screen Age: Video's Past and Future
May 2023
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Artforum
Hanne Darboven
May 2023
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Artnet News
Wet Paint in the Wild: Artist Sarah Morris Delights in Hong Kong’s Many 7-Elevens and Stumbles Upon a Hidden Chanel Boutique
April 13, 2023
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DSCENE
Critic Dreams by Jean-Max Colard
April 7, 2023
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Frieze
Isabella Ducrot's Practice Is Free From Rules
March 24, 2023
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Frieze
Unpacking the Meteoric Rise of Raphaela Vogel
March 24, 2023
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Frieze
The Bewitching Style of Hanne Darboven
March 22, 2023
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Metropolis M
Protesteren in een hijsKRAAAN – Raphaela Vogel over haar tentoonstelling in museum De Pont in Tilburg
March 2, 2023
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The World of Interiors
Thread and Thrum
February 28, 2023
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elemmental,
Arco Madrid 2023: más de doscientas galerías y un homenaje al Mediterráneo
February 24, 2023
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BOMB
Samson Young Interviewed by Katherine Adams
February 22, 2023
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Outland
Landscape Format
February 14, 2023
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Collectors Agenda
In the Studio: Raphaela Vogel, Berlin
January 11, 2023
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Texte zur Kunst
Mnemosyne in Neon: Julia Modes Über Austin Martin White in der Galerie Capitain Petzel, Berlin
December 20, 2022
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Kunstforum
Stefanie Heinze: Dimensions of the Fool
December 2022
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Monopol
On the painting by Stefanie Heinze: The Fool's Dimensions
December 15, 2022
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The Paris Review
What the Paris Review Staff Read in 2022
December 16, 2022
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Artnet News
See Inside James Little’s Studio, Where He Combines Pigment, Beeswax, and Varnish to Create Layered Geometric Abstractions
November 27, 2022
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Artforum
James Little: Fear and transcendence in abstract painting
November 30, 2022
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Frieze
James Little’s Constructed Abstractions
November 29, 2022
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The New York Times
James Little, Unapologetic Abstractionist Painter, Catches the Limelight
October 20, 2022
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W
Jorge Pardo’s Fanciful Folly Exhibition Illuminates Houston
October 28, 2022
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Numéro
"Apocalyptic Romance" by Adam Lehrer
November 2022
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Artforum
Austin Martin White
December 2022
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Artforum
Top Ten: Johanna Burton’s highlights of 2022
December 2022
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Right Click Save
NFTs and the Tech Resurrection
November 7, 2022
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The Brooklyn Rail
Emily Mae Smith with Amanda Gluibizzi
November 2022
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Clot
Insight: Dotcom Séance, resurrecting ghost companies & reexamining their role in Web3
October 23, 2022
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Frieze
63/22: Nikita Gale's Guitars
October 22, 2022
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Flash Art
Austin Martin White ‘Last Dance’ Capitain Petzel / Berlin
October 20, 2022
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Artnet News
Artist Simon Denny Resurrects Dead Companies From the Dotcom Crash and Imagines How Their Logos Might Look Today
October 11, 2022
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The New York Times
John Vincler, "Art We Saw This Fall"
October 5, 2022
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Frieze
Nikita Gale Deploys Space, Sound and Audience
October 4, 2022
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032c
Smashed Collarbones: Berlin Art Week
September 27, 2022
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Welt am Sonntag
Austin Martin White bei Capitain Petzel
September 18, 2022
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Artnet News
Wet Paint in the Wild: Friedrich Petzel Wheels and Deals Across Frieze Seoul, Then Jumps Back Into the Gallery Grind in New York
09/09/2022
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Ocula
Brussels Gallery Weekend 2022: Exhibitions to See
September 7, 2022
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habitusliving
Sydney Contemporary - bringing the world of art to you
September 7, 2022
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Galerie
The Artful Life: 6 Things Galerie Editors Love This Week
September 7, 2022
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Juxtapoz
I'm Stepping High, I'm Drifting, and There I Go Leaping
September 7, 2022
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Interior Design
Inside the Paris Flat of Galerie Kreo founders Didier and Clémence Krzentowski
September 6, 2022
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stir world
'The Painter's New Tools' reimagines the traditional medium of painting
September 5, 2022
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Wallpaper
Objects of desire: the seductive exchange between fine art and advertising photography
September 2, 2022
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Creative Review
How Advertising Infiltrated the Art World
September 2, 2022
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ArtReview
Nikita Gale: “Ruin Can Be Elegant”
August 30, 2022
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Boston Globe
At the MFA, the liveliness of 'Stillness'
August 30, 2022
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Two Coats of Paint
NYC Selected Gallery Guide: September, 2022
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Elephant
Fabulous Flights of Fancy Fill the Works of Emily Mae Smith
August 28, 2022
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Yacht
Team Malizia: Wenn die Kunst den Segelsport küsst
August 26, 2022
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stir world
Fondation CAB Saint-Paul-de-Vence exhibits minimalist works from its collection
August 24, 2022
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University of Auckland
Exhibition captures lesser known and entangled histories
August 18, 2022
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ArchitectureNow
Creation Stories
August 19, 2022
Los Angeles Times
14 pop-ups, drops and shows in L.A. that can help open your third eye in August
August 12, 2022
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Artsy
Women Artists Are Painting Fresh Visions of Sex with a Surrealistic Twist
August 11, 2022
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Artribune
La Biennale di Cecilia Alemani? Una piacevole sorpresa
August 11, 2022
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Art Plugged
Maria Lassnig: The Biography
August 11, 2022
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Artforum
Michelle Grabner on Allan McCollum
September 2022
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Two Coats of Paint
NYC Selected Gallery Guide: August, 2022
August 4, 2022
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Surface
The First Modernist Home’s Fascinating Backstory
August 3, 2022
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Artdaily
Largest show in recent history of Kestner Gesellschaft - 150 works from 44 artists
July 31, 2022
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Heidenheimer Zeitung
Ernstzunehmender Spaßvogel
July 29, 2022
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Frieze
Introducing Frieze Seoul
July 29, 2022
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kulturnews
Christian Jankowski: I was told go with the Flow
July 28, 2022
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Larry's List
How This Collector’s Instagram Page Was a Game Changer for Him
July 27, 2022
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University of Houston News
Public Art of the University of Houston System Announces Two Major Commissions and a Series of New Acquisitions
July 27, 2022
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Heavy Traffic
Machine Time: Seth Price featured in Heavy Traffic Issue 1
July 2022
Excerpt
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Andy meets Warhol
Happy Summer: Four Shows Not to Miss!
July 26, 2022
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InsideHook
Next to MoMA, Singaporean Chef Akmal Anuar’s 53 Is a Culinary Work of Art
July 26, 2022
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The New York Times
With Lots of Eye Contact, Something Clicked
July 22, 2022
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The Courier
Pop art: One-day gallery and concert highlight connection between women, art & music
July 21, 2022
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Artnet News
Art Industry News: New York’s Edgiest Summer Exhibition Got Shut Down by the Cops 30 Minutes After Opening + Other Stories
July 21, 2022
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The New York Times
Divine Excess on Avenue C
July 20, 2022
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Berliner Zeitung
Kunst-Wochenende in Zürich und Genf: Skulpturen, die Zeitlichkeit spiegeln
July 19, 2022
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Berliner Zeitung
Art weekend in Zurich and Geneva: Sculptures that reflect temporality (English Translation)
July 19, 2022
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designboom
hiroki tsukuda's dystopian 'collage' installations reflect on darkness of current world events
July 19, 2022
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XIBT
Pieter Schoolwerth in Conversation with Editor in Chief Alice Zucca
July 19, 2022
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ITSLIQUID
SCHINDLER HOUSE LOS ANGELES
July 18, 2022
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artdrunk
Your Seoul Exhibition Guide: Must-See Shows This Week
July 18, 2022
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1st Dibs Introspective Magazine
[Attractive Opposites]: Global vs. Glam
July 17, 2022
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Dezeen
Artists can use technology to create human connection say Therme Art panelists
July 15, 2022
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Cultured
New York Gallery O’Flaherty’s Packed the Street—and the Walls—for "The Patriot" Opening
July 15, 2022
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The Art Newspaper
Perrotin and Pace galleries announce Seoul expansions—while other Western dealers test Korean waters via group show
July 14, 2022
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The New York Times
Computers and Painting’s Identity Crisis
July 13, 2022
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Dazed
Art shows to leave the house for this July
July 12, 2022
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Artnet News
Editors’ Picks: 13 Events for Your Art Calendar This Week, From a Look at the Art of Shelter Island to the Latest Brooklyn Art Book Fair
July 11, 2022
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Cultured Magazine
In His East Hampton Studio, Ross Bleckner Looks to the Future
July 11, 2022
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The New York Times Style Magazine
The Historically Black College Reconsiders the Studio Art Problem
July 8, 2022
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Artnet News
A New Culture Hub in Mexico City Pairs Sustainable Dining With Art for a Rare Experience in the Chapultepec Forest
July 7, 2022
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Architectural Digest
25 Room Color Ideas from the AD Archive
July 7, 2022
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Two Coats of Paint
Two Coats Selected Gallery Guide NYC: July, 2022
July 6, 2022
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Artsy
10 Cuban Artists Who Are Shaping Contemporary Art
July 6, 2022
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i-D
5 exhibitions that the editorial department wants to visit in July
July 5, 2022
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Widewalls
These Contemporary Sound Artists Are Changing the Soundscape of Art
July 4, 2022
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Art Collector
The Roles We Play
July-September 2022
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Monopol
Tipps und Termine: Wohin am Wochenende?
July 1, 2022
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Artsy
The Artsy Collector Spotlight: Jury Kawamura
June 30, 2022
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Prestige
How Gallery Climate Coalition is driving a carbon-free art world
June 30, 2022
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Artnet News
5 Can't Miss Works by Leading Contemporary Artists Heading to Poly Auction's 10th Anniversary Sales This July
June 22, 2022
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The Art Newspaper
With a Whitney Biennial feature and newfound commercial representation, James Little's commitment to abstraction is finally paying off
June 21, 2022
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TechRound
Verse Raises $2.4M in Seed Funding to Become the Trusted NFT Platform for Collectors & Art Enthusiasts
June 20, 2022
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Juxtapoz
Hiroki Tsukuda "The Darkest Hour" @ NANZUKA Underground, Tokyo
June 21, 2022
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Artforum
Critics' Picks: Xie Nanxing (English Translation)
June 2022
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Memphis
James Little: Homecoming
June 20, 2022
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Mousse Magazine
In Heat Wind Wounds Holes: Tolia Astakhishvili, Stefanie Heinze, Keto Logua, Nancy Lupo at LC Queisser, Tbilisi
June 20, 2022
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BOMB Magazine
Doses by Eliza Barry Callahan
June 16, 2022
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STIRworld
What to look out for at Art Basel 2022 edition in Switzerland
June 15, 2022
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Los Angeles Times
As the Schindler House turns 100, a new exhibition reexamines its complex legacy
June 15, 2022
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Artnet News
In Pictures: See the Best of Art Basel Unlimited 2022, From a Painting Made of Hardware-Store Finds to a Shipping Container-Turned-Sculpture
June 13, 2022
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Artnet News
In Pictures: See the Best of Art Basel Unlimited 2022, From a Painting Made of Hardware-Store Finds to a Shipping Container-Turned-Sculpture
June 13, 2022
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Musée
Exhibition Review: Dana Hoey and Caitlin Cherry "Hello Trouble"
June 13, 2022
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Datebook
Ride on S.F. Muni becomes an art experience with new installation on Van Ness
June 11, 2022
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Flash Art
Misaligned Identities: Raphaela Vogel
June 10, 2022
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The Wall Street Journal
Venice Biennale Review: Margins to the Center
June 9, 2022
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Hyperallergic
Hanne Darboven's Attempt to Unbind Narrative From Time
June 9, 2022
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Mousse
Seth Price "Art Is Not Human" at Sadie Coles HQ, London
May 24, 2022
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The Brooklyn Rail
Thirteen Other Ways of Looking at Disappearance
June 1, 2022
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The Verge
Is NFT art any good?
June 8, 2022
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Artforum
Critics' Picks: Xie Nanxing
June 2022
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Art in America
For Eyes and Ears: New Sound Art Serves Different Senses with a Multimodal Approach
June 7, 2022
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The New Yorker
Dana Hoey and Caitlin Cherry
June 7, 2022
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Artforum
Jeffrey Kastner on Pieter Schoolwerth
June 1, 2022
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Carla
Nikita Gale at LAXART
May 26, 2022
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Texte Zur Kunst
Who Let the Men Out? Steph Holl-Trieu und Sophia Rohwetter über Raphaela Vogel in der Galerie Meyer Kainer, Wien
May 20, 2022
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Flash Art
Gallery Weekend Berlin 2022 (and Beyond)
May 19, 2022
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Independent Collectors
Thru the Mirror
May 18, 2022
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Hypebeast
Case Study Presents the Final Collaboration With the Late-Artist Joyce Pensato
May 18, 2022
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Vogue
The Bride Wore Custom Christopher John Rogers for Her Wedding in the Middle of the Mexican Jungle
May 17, 2022
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The Guardian
'Painting is like a cockroach or a shark, perfectly evolved’: artist Seth Price
April 13, 2022
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Artnet News
8 Gallery Shows Not to Miss During the First-Ever New York Art Week, From Ellsworth Kelly's Collages to Nari Ward's Ode to Morandi
May 3, 2022
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Hyperallergic
Derek Fordjour's LA MOCA Mural Is an "Invitation" to the Museum
May 3, 2022
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ARTnews
A Long Overdue Recognition: James Little Finally Gets His Turn in the Spotlight at this Year’s Whitney Biennial
May 2, 2022
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Artnet News
The 2022 Venice Biennale Is an Artistically Outstanding, Philosophically Troubling Hymn to Post-Humanism
May 2, 2022
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Artnet News
In Pictures: Take a Tour of the Venice Biennale's Giardini Section, Which Is Full of Inventive Abstraction and the Art of Magic
April 22, 2022
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Mousse
INFORMATION (Today) at Astrup Fearnley Museet, Oslo
April 21, 2022
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Interview Magazine
Meet Eight Artists Reshaping the 59th Venice Biennale
April 21, 2022
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Los Angeles Times
Derek Fordjour examines magic, race and revelry in two L.A. art installations
April 19, 2022
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ARTnews
Tour Cecilia Alemani's Venice Biennale Exhibition, Coursing with Surrealist Energies and Abounding with Bodies
April 19, 2022
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The New York Sun
The Single Best Work in the Whitney Biennial
April 18, 2022
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Esquire
La Guida di Esquire all'arte contemporanea
April 17, 2022
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Art Observed
New York - Joe Bradley: "Bhoga Marga" at Petzel Through April 30th, 2022
April 15, 2022
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The New York Times
Joe Bradley Begins Again
April 14, 2022
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OCULA
Whitney Biennial 2022: Artist Installations That Stole the Show
April 8, 2022
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The Guardian
'We give them permission to deceive us': the power and privilege of the magician
April 4, 2022
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The New York Times
A Whitney Biennial of Shadow and Light
March 31, 2022
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LA Weekly
A Haunting Film at UC Irvine is Not for the Faint of Heart
March 25, 2022
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Sedaily
[The New Yorker's Art Letter] A newly born abstract painter, Joe Bradley
March 20, 2022
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Berlin Art Link
Forces of Abstraction: 'Rigged' at Kraupa-Tuskany Zeidler
March 15, 2022
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Artdaily
Hirshhorn opens exhibition showcasing a century of art by nearly 50 pathbreaking women and nonbinary artists
August 3, 2022
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The Art Newspaper
Can slime mould grow into artificial intelligence? Centre Pompidou show considers interactions between human and non-human entities
March 8, 2022
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Frieze
Nikita Gale’s Bodiless Performance
March 4, 2022
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The Washington Post
Women take the spotlight in a pair of art shows at the A.U. Museum
March 2, 2022
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A Magazine curated by
Resident 1 By Simon Denny
February 22, 2022
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T Magazine
A Panel Etched with ‘Blood,’ ‘Nerves’ and ‘Knee’
February 18, 2022
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Flaunt
Nikita Gale | 'End of Subject' at 52 Walker
February 14, 2022
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Artforum
"Post-Capital: Art and the Economics of the Digital Age"
February 2022
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The Brooklyn Rail
ArtSeen: Witch Hunt
February 1, 2022
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Flash Art
Tripping the Time Stamp. A Conversation with Simon Denny
January 12, 2022
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Artnet News
'There's a Lot of Ingenuity in These Little Forms': Artist Sarah Morris on Why She Started Painting Spiderwebs During Lockdown
January 7, 2022
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Art Viewer
Isabella Ducrot at San Giuseppe delle Scalze a Pontecorvo
December 12, 2021
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Frieze
Painters On the Books Every Artist Must Read
November 3, 2021
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The Syllabus
The Cyberflâneur: Simon Denny
August 24, 2021
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Berlin Art Link
Encountering ‘Redemption Now’: A Promise of No Relief
September 14, 2021
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Artforum
Must-See Exhibitions
September 7, 2021
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Artnet News
8 Gallery Shows Not to Miss This Fall in New York, From New Louise Lawler Work at Metro Pictures to a Karma Show Curated by Hilton Als
September 7, 2021
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Curator
Lucas Page
September 7, 2021
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Vogue
Craving Art This Fall? Here Are 57 Varieties
September 6, 2021
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Artnet News
Simon Denny Is Selling an Intentionally Lackluster NFT to Benefit Institutions Crypto Collectors Typically Don’t Care About
August 31, 2021
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Artnet News
In Pictures: This Landmark Museum Show in Virginia Examines How Black Southern Art and Music Inspire One Another
August 25, 2021
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artnet News
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Yishu: Journal of Contemporary Chinese Art
Spots, Dust, Renderings, Picabia, Case Notes, Flavour, Light, Sound, and More: Xie Nanxing’s Creations
July/August 2016
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Forbes
4 Questions: Rodney McMillian
June 23, 2016
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Frieze
Rodney McMillian
June 23, 2016
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a-n
A Q&A with... John Stezaker, collage artist and first-time curator, by Anneka French
June 2016
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The Brooklyn Rail
Rodney McMillian Views of Main Street
June 2016
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ARTnews
Sailing Over the Kitsch of Everyday Life: Asger Jorn at Petzel, New York
May 27, 2016
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Hyperallergic
Hanne Darboven: Repetition
May 14, 2016
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Time Out New York
Asger Jorn: The Open Hide
May 11, 2016
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The Art Newspaper
Rodney McMillian and the poetry of the past
May 4, 2016
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Art21 Magazine
Rodney McMillian’s Sobering, Irreverent Take on Race in America
May 2, 2016
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Studio International
Stephen Prina by Allie Biswas
May 2016
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The Guardian
Maria Lassnig: under the skin, by Kathryn Hughes
May 2016
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L'Oeil de la Photographie
Geneva: Dana Hoey, Body searches and role reversal, by Jean-Paul Gavard-Perret
May 2016
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Frieze
Seth Price: 356 Mission, Los Angeles
May, 2016
ARTnews
Post-Consumer Report: A Conversation With Rodney McMillian
April 25, 2016
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ARTnews
"Castles in the Sky: Adam McEwen on 'Harvest,' His Show at Petzel Gallery
April 22, 2016
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Artforum
Critics' Picks: Nicola Tyson by Yin Ho
April 2016
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The New York Times
An Artist’s Piercing Yet Playful Look at Race
April 14, 2016
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Artforum
Rodney McMillian on his three solo museum exhibitions on the East Coast
April 5, 2016
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Vice
Hallucinatory Paintings Depict the Bodily Impossible
April 4, 2016
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The Observer
The Full Bradley: A Painter’s Painter Talks About Painting
April 2, 2016
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Blouin Artinfo
Midwestern Enigma: Stephen Prina’s Offbeat ‘Autobiography’
April 2016
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Art In America
Less Like Art: Seth Price as Author
April 2016
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T: The New York Times Style Magazine
For an Anticipated New Show, a Shape-Shifting Artist Reinvents His Practice — Again
March 29, 2016
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The New York Times
Review: Adam McEwen’s 'Harvest’ Explores the Movement of People, Vehicles and Information
March, 2016
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The New York Times
Turning Discarded Items Into Art About Race in America
March 23, 2016
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Artdaily
First solo museum exhibition in the US by German painter Corinne Wasmuht on view at SCAD
March 2016
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Art in America
HANNE DARBOVEN
February 25, 2016
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Wall Street Journal
Adam McEwen on His Upcoming Solo Show at Petzel Gallery
February, 2016
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Seth Price: Nothing More
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Vice: The Creators Project
Enter a Kaleidoscopic Dystopia Rendered in Ink and Charcoal
February 2016
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Frieze
Scott Roben, “Thomas Eggerer”
February 2016
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Blouin Artinfo
Writing the Body by Chloe Wyma
February 2016
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Yomitime
Hiroki Tsukuda at Petzel Gallery
January 2016
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Juxtapoz
“Robert Heinecken’s Third Exhibition at Petzel Gallery”
January 2016
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artnet news
Artist Hiroki Tsukuda Is Not Afraid to Get Weird in His First US Show
January 2016
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artnet News
Kenny Schachter on Joe Bradley’s Unlikely Rise to Art World Eminence
January 11, 2016
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Elephant
5 Questions with Hiroki Tsukuda
January 2016
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The Paris Review
Enter the O
January 2016
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Art in America
Corinne Wasmuht, by Hilarie M. Sheets
January 2016
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THE TALKS
Sarah Morris: "There is no Outside"
December 2015
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X-TRA Contemporary Art Quarterly
“An Ex-Marine Thrashes Doris Day and Ansel Adams while Waving at Warhol” by Sheryl Conkelton
Winter 2015
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Artforum
Emily Mae Smith
December 2015
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The New York Times
From Derek Fordjour, a Sense of Abandoned Ritual
November 19, 2015
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W Magazine
Joe Bradley: Mr. Schmagoo
November 3, 2015
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T Magazine
Influential, Late-'70s Paintings, Revisited by Julie Baumgardner
November, 2015
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Artnews
Heimo Zobernig Awarded the 2016 Roswitha Haftmann Prize, by Hannah Ghorashi
November 2015
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Wallpaper
Head case: Jorge Pardo creates a hall of mirrors at David Gill Gallery
October 2015
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Art In America
Mark Prince, “Thomas Eggerer”
October 2015
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Hyperallergic, 2015
“An Artist Remixes Her Archive as an Act of Creation”, by Cynthia Cruz
October 2015
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Artforum
Malcolm Morley
October 2015
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The New York Times Style Magazine
An Uninhibited New Show from an Art-World Provocateur, Sarah P. Hanson
September 2015
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Artnews
Old Guys Painting: On the mature painter's letting go
September 2015
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Artforum
Pieter Schoolwerth
September 2015
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Artsy
Yael Bartana on Israel, the Myths Underlying Nation States, and Being a Political Artist
September 2015
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Sculpture
A Conversation with Keith Edmier: Storytelling as Life Cycle by Jade Dellinger
September 2015
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Art Agenda
Willem de Rooij’s ‘Legal Noses’ by Jennifer Piejko
July 2015
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Paper Magazine
The 10 Must-See Art Shows to Check Out in July
July 01, 2015
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TOWN & COUNTRY
Sarah Morris Brings "Strange Magic" to Art Basel's Unlimited show
June 2015
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Flaunt Magazine
Imagine, If You Will, For Once, That Nothing Is Lost, That All is Right Where You Left It
Summer 2015
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ARTSPACE
Sarah Morris on Uncovering Conspiracies in the Art-Luxury Industrial Complex
June 2015
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Artforum
Critics' Pick "Drawings: Studies for Works 2000-2015"
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356 S. Mission Rd.
Pieter Schoolwerth interviewed about “Your Vacuum Sucks”
June 2015
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Art in America
Pieter Schoolwerth
May 28, 2015
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Frieze
Charline von Heyl, by Scott Roben
May 2015
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Artforum
1000 Words: Simon Denny Talks About Secret Power
May 2015
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artnet News
David Ebony’s Top 10 New York Gallery Shows for April
April 22, 2015
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ARTnews
Heavy Artillery: At 83, Malcolm Morley Is Still Doing Battle
April 21, 2015
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The New York Times
10 Galleries to Visit in Chelsea by Roberta Smith
April 17, 2015
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The New York Times
10 Galleries to Visit on the Lower East Side
April 16, 2015
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The Guardian
John Stezaker: Film Works review - an overwhelming onrush of images, by Laura Cumming
April 2015
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Border Crossings
I like the World and the World Likes Me, Robert Enright
Spring 2015
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Art In America
Willem de Rooij
April 2015
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The New York Times
Allan McCollum’s One-of-a-Kind Shapes in ‘For the Millions/Just for You’ by Randy Kennedy
April 2015
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Hyperallergic
In Paintings and Collage, the Beginnings of a New Language, by Cynthia Cruz
April 2015
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Mousse
Critical Trolling, interview with Simon Denny & Matt Goerzen
April, 2015
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Interview Magazine
A Canvas the Color of the Wall by Allan McCollum
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Frieze
Walead Beshty: Capitain Petzel, Berlin
March / April 2015
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Texte zur Kunst
The Magic Touch
March 2015
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HARPER'S BAZAAR
Sarah Vezes 2
March 2015
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Napoli Post
Museo Archeologico ricopre aiuole con carta di Isabella Ducrot
February 26, 2015
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Haaretz
Artist Yael Bartana taps into the Jewish-Diaspora zeitgeist
February 2015
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Art in America - 2015
"Sean Landers" by Dennis Kardon
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The Brooklyn Rail
In Conversation: Yael Bartana with Sara Roffino
February 2015
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Art in America, 2015
"Lazy Susan's Long Hangover", by Faye Hirsch
2015
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Blouin Artinfo
Fire or Ice: Yael Bartana Films Screen at Petzel
January 2015
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Artforum
Walead Beshty: Petzel Gallery
December 2014
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The New York Times
The Paintbrush in the Digital Era
December 11, 2014
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sleek
The irrational object: an interview with Adam McEwen
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Time Out New York
"North American Mammals" by Joseph R. Wolin
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Los Angeles Times
“Hard truths underline Robert Heinecken exhibition at Hammer” by Sharon Mizota
November 2014
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The Brooklyn Rail
Derek Fordjour The Big Game
October 3, 2014
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Interview Magazine
John Stezaker’s Shadowed Land, by Meryn Chimes
October 2014
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Border Crossings
Too Little and Too Much–All the Time: Charline von Heyl and the Life of Painting, by Robert Enright and Meeka Walsh
Fall 2014
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Huffington Post
The Art of Possibility: Allan McCollum’s Perfect Couples by Lori Zimmer
September 2014
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Visionaire
Allan McCollum’s Perfect Couples, by Lars Byrresen Petersen
September 2014
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The New York Times
Emily Mae Smith: ‘Novelty Court’
July 7, 2014
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Artforum
Critics' Picks: Emily Mae Smith
June 2014
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Artribune
Isabella Ducrot: l’arte in bilico su un filo di seta
March 29, 2014
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The Guardian
John Stezaker: ‘cutting a photograph can feel like cutting through flesh’, by Sean O’Hagan
March 2014
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The New Yorker
Her: The radically prescient self-portraits of Maria Lassnig at MOMA PS1 by Andrea K. Scott
March 2014
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Socks Studio
An Exploration of the Generic: Allan McCollum's "Over Ten Thousand Individual Works"
January 2014
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Artforum
David Joselit, "Time Zones."
January 2014
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Frieze
Brazil: 9th Bienal do Mercosul, Porto Alegre
December 2013
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Milwaukee Journal Sentinel
Dirk Skreber’s exhibit at Milwaukee Art Museum captivates with catastrophe, by Mary Louise Schumacher
December 2013
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Mousse
John Kelsey, "A Fragile Artificiality."
December 2013 / January 2014
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Contemporary Art Daily
Rezi van Lankveld at The Approach
November 2013
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The Wall Street Journal
Peter Plagens, “Passion and Talent in Large Doses”
October 2013
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Artforum
Design Beyond Reach
Summer 2013
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W Magazine
Charline von Heyl: In the Abstract
September 2013
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Art in America
Maria Lassnig's Body Awareness by Travis Jeppesen
June, 2013
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Art Journal, 2012
"Ground Control: Painting in the Work of Cosima von Bonin", by Gregory H. Williams
2012
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Interview Magazine
Joe Bradley
May 15, 2013
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Interview Magazine
Troy Brauntuch’s Dark Matter by Hannah Mandel
May 2013
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The Huffington Post
The History of the Stick: Georg Herold’s Path to Mastery
May 8, 2013
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Art in America Interview
by Steel Stillman
May 2013
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Freunde von Freunden
Hiroki Tsukuda: Artist, Apartment and Studio, Shibuya, Tokyo
May 2013
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James Panero
Studio Visit: James Little
May 3, 2013
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Los Angeles Times
Art Review: Georg Herold ‘Dear Hunter’ at Perry Rubenstein Gallery by David Pagel
May 2013
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Huffington Post
The Phantom Sex, Priscilla Frank
February 2013
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Elephant
Walead Beshty: Invisible Transformations
Winter 2013-2014
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Huffington Post
Dirk Skreber 'Pain(t)ology': German Artist Talks Drones, Pussy Riot And Pentagon Conspiracies, Katherine Brooks
February 2013
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Art in America
Painting in the Age of Digital Reproduction
January 2013
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Hyperallergic
After the Fall of Troy: The Paintings of Pieter Schoolwerth
December 2, 2012
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Observer
Painting Out of a Corner: Pieter Schoolwerth, ‘After Troy,’ at Miguel Abreu; Viktor Kopp at Bureau; ‘klaer, uglee callamari’ at Ramiken Crucible
November 13, 2012
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The New Yorker
Man and Machine: A Wade Guyton Retrospective
October 15, 2012
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The Collector Tribune
Interview with Philippe Parreno at Fondation Beyeler
July 2012
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Seth Price / Tim Hamilton Fashion Show
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New York Times
Dana Schutz: 'Piano in the Rain', Roberta Smith
June 2012
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Brooklyn Rail
Dana Schutz with Jarrett Earnest
June 2012
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Bomb Magazine
New Bodies: Pieter Schoolwerth by Andrew Cappetta
May 28, 2012
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Hyperallergic
The Daily Practice of the Impossible, John Yau
May 2012
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Texte Zur Kunst
A Painting is a TV That Doesn't Work
March 2010
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Contemporary Art Museum St. Louis and JRP|Ringier – 2011
"Call Me Ishmael" by Cynthia Daignault
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Hyperallergic
Paint it Back, Blacker, and Blackest
February 2012
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The Brooklyn Rail
Studio visit: Joyce Pensato
February 2012
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The New York Observer
Black and White in Color: 'Joyce Pensato: Batman Returns'
January 2010
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Artlyst
Hanne Darboven Figures It Out At Camden Arts Centre
January 25, 2012
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Art in America
Mining The Field, by Joe Fyfe
December 2011
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X-TRA
Hanne Darboven
Fall 2011
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Artforum
Willem de Rooij: Friedrich Petzel
October 2011
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The Observer
A Portrait of the Artist at Work by Will Heinrich
September 2011
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Frieze
Georg Herold, Kunstverein Freiburg & Contemporary Fine Arts, Berlin by Mark Prince
Summer 2011
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Frieze
Showroom Dummies by Kirsty Bell
Summer 2011
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Frieze
Jon Pylypchuk by James D. Campbell
March 2011
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The Brooklyn Rail
Joe Bradley with Phong Bui
February 2011
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Frieze
John Stezaker: Capitain Petzel by Dominic Eichler
January-February 2011
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Time Out New York
John Stezaker: Friedrich Petzel Gallery by Paul Laster
January-February 2011
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ARTnews
Driven to Abstraction
January 1, 2011
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The New York Times
Pieter Schoolwerth ‘Portraits of Paintings’
December, 16, 2010
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Afterall
Artists at Work: Willem de Rooij
November 2010
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As We Speak
October 2010
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ANP Quarterly
Wierd Records
Vol. 2 Issue 5 - 2010
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Bomb
Charline von Heyl, by Shirley Kaneda
Fall 2010
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New Yorker
Critic's Notebook: Darkness Rising by Andrea Scott
October 2009
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Bomb
Joyce Pensato
July 2009
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Bomb Magazine
Dike Blair and Joe Bradley
July 1, 2009
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The Brooklyn Rail
James Little with Benjamin La Rocco
May 7, 2009
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Frieze
Its Own Reality, by Kirsty Bell
May 2009
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Frieze
Point Counter Point
May 2009
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The New Yorker
Galleries: Georg Herold
March 23, 2009
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Spike
Innocence and Dirty Hands
Spring 2009
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Art Forum International
"Like It, or Not" Matthew Brannon on Lynn Spielel's TV By Design
February 2009
New York Times
Dana Hoey: Experiments in Primitive Living, by Roberta Smith
January 2009
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Parkett
A Sensation of Asphyxia
Parkett
A Polyphonic Conversation
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Back to Her Future - 2009
Art in America
Maria Lassnig: The Pitiless Eye by Carrie Moyer
January 2009
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Time Taken-The Work of Time in the Work of Art
Philippe Parreno: Just a smile in the shell by Christine Macel
2009
Theanyspacewhatever
Philippe Parreno: DUST by Hans Ulrich Obrist and Daniel Birnbaum
2008
Frieze
The Embarrassing Truth by Jennifer Higgie
November-December 2008
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Parkett 83
"Double Negative" by Suzanne Cotter
2008
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Artforum
1,000 Words: Charline von Heyl, by John Kelsey
October 2008
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New York Times
Matthew Brannon
Friday, June 13, 2008
Artforum
Andrea Fraser on the art of Michael Asher
Summer 2008
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Canadian ART
Serious PLAY: From Halifax to Brooklyn
Summer 2008
Frieze
Micro-Nation CAPACETE
Summer 2008
Frieze
Matthew Brannon Questionairre
May 2008
Artforum
Rites of Silence: Johanna Burton on the art of Wade Guyton
Summer 2008
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Dazed & Confused
Brand new, second hand
2007
Artforum
Cologne, Georg Herold, Museum Ludwig by John-Paul Stonard
February 2008
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Chicago Tribune
Childhood home is where the art is
January 24, 2008
Whitney Biennial Exhibition Catalogue
Matthew Brannon by Lisa Turvey
2008
To Say the Very Least
More Than You Know by Phillip Monk
2008
Art on Paper
Tongue in Radical Chic: The guilty pleasures of looking at Matthew Brannon's slyly subversive posters by Megan Ratner
May/June 2007
Interview Magazine
Tobias Rehberger by Elvis Mitchell
May 2007
Whitney Museum of Art at Altria
Chapter 11 by Howie Chen
2007
Border Crossings
Malcolm Morley: The Principal of Uncertainty
November 2006
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Artforum
The Job Changes You by Tim Griffin
September 2006
Artforum
Absorbed in the Action by Michael Fried
September 2006
New York Times Style Magazine
The Provocateur by Maura Egan
Fall 2006
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Spike Magazine
21st Century Portrait by Hans Ulrich Obrist
Summer 2006
Uovo
Innocent Accidental Unintentional Indulgent. Never. An Interview with Matthew Brannon by Rosa Vanina Pavone
2006
Artforum
Georg Herold, Kunstverein Hannover
September 2005
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Frieze
Georg Herold
September 13, 2005
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The New York Times
Allan McCollum by Roberta Smith
Friday, September 10, 2004
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The New York Times
ART IN REVIEW: Eunice Kim and Joe Bradley -- 'Joy to the Max'
January 9, 2004
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Washington Post
Dana Hoey's Blatant Subtlety, by Michael O'Sullivan
December 1, 2000
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How to Provide an Artistic Service
An Introduction: by Andrea Fraser
1994
May I Help You?
Andrea Fraser
1991