Seth Price
Untitled, 2025
Signed and dated on verso
Acrylic paint, image reverse-transferred into acrylic polymer, and UV-print on aluminum composite
59 3/4 x 59 3/4 in
151.76 x 151.76 cm
(SPR 25/001)
Seth Price
Untitled, 2025
Signed and dated on verso
Acrylic paint, image reverse-transferred into acrylic polymer, and UV-print on aluminum composite
59 3/4 x 59 3/4 in
151.76 x 151.76 cm
(SPR 25/001)
Seth Price
PROTIS VELITOR, 2025
Signed on verso
Oil and acrylic paints, pigmented acrylic polymers, and UV-print on aluminum composite
48 x 59 3/4 x 1 in
121.9 x 151.8 x 2.5 cm
(SPR 25/018)
Seth Price
Puritan Graves, 2024
Plastic, transfer print, UV-print on aluminum
composite
48 x 36 x 1 in
121.9 x 91.4 x 2.5 cm
(SPR 24/046)
Seth Price
Untitled, 2024
Signed on verso
Acrylic paint, acrylic polymers, and UV-print on aluminum composite
34 x 28 1/4 x 1 in
86.4 x 71.8 x 2.5 cm
(SPR 25/027)
Seth Price
Dremen Style, 2022-23
Generatively produced image printed on extruded polypropylene, ink
Each framed: 31 3/4 x 32 3/4 x 1 1/2 inches
Seth Price
Teeth of Heaven and Earth, 2022
Signed on verso
Acrylic polymers and UV-print on aluminum composite
75 1/2 x 55 5/8 x 1 in
191.8 x 141.3 x 2.5 cm
(SPR 25/028)
Seth Price
Social Space 2018-'22 (Spills), 2022
Acrylic paint, reverse transfer print, acrylic polymer, airbrush, and UV-cured print on aluminum composite
49 1/4 x 48 x 7/8 in
125.1 x 121.9 x 2.2 cm
(SPR 22/042)
Seth Price
Social Space 2018-'22 (Holes), 2022
Mixed media on aluminum composite
78 1/4 x 48 x 7/8 inches (198.8 x 121.9 x 2.2 cm)
Seth Price
Tools Are Not Trustworthy, 2021
signed
Pencil, acrylic and spray paint on mylar
Framed: 47 1/2 x 65 1/2 x 2 1/4 in
120.7 x 166.4 x 5.7 cm
Unframed: 42 x 62 inches
106.7 x 157.5 cm
(SPR 21/005)
Seth Price
Mastery Leads to No Good, 2021
Gouache and pencil on mylar
47 3/8 X 50 3/8 X 2 1/4 inches
Seth Price
Chrome Pencils, 2020
UV-cured print and synthetic polymer on plywood
76.12 x 48 inches
193.3 x 121.9 cm
(SPR 20/028)
Seth Price
Untitled, 2020
Gouache, enamel and pencil on paper
Framed: 28 1/2 x 40 5/8 x 1 3/4 in
72.4 x 103.2 x 4.3 cm
Unframed: 25 1/2 x 35 1/2 in
64.8 x 90.2 cm
(SPR 21/008)
Seth Price
Untitled, 2008
Vacuum formed high impact polystyrene
96 x 48 inches (243.8 x 121.9 cm)
Seth Price
Double Hunt, 2006-7
Screen-print ink on PETG, hardware
48 3/4 x 28 1/2 x 28 1/2 in
123.8 x 72.4 x 72.4 cm
(SPR 24/003)
Seth Price
Headless Test, 2006
Lithograph on paper
Framed: 30 1/2 x 22 1/2 x 1 in
77.5 x 57.2 x 2.5 cm
Unframed: 22 1/4 x 15 in
56.5 x 38.1 cm
(SPR 15/121)
Seth Price
Untitled, 2006
Signed on verso
Vacuum-formed PETG, enamel paint
Framed: 28 5/8 x 24 3/16 x 5 in
72.7 x 61.4 x 12.7 cm
Unframed: 15 1/2 x 20 1/4 in
39.4 x 51.4 cm
(SPR 20/004)
Seth Price
Calendar Study: The Road Ahed, 2003
Ink-jet on paper
Unframed: 19 x 13 in
48.3 x 33 cm
(SPR 15/084)
Geordie Wood/Interview.
Seth Price (born December 13, 1973, East Jerusalem) currently lives and works in New York.
Seth Price is a multi-disciplinary artist who has gained international attention for his videos, sculptures, sound installations, and texts. Presenting a portrait of contemporary life, Price’s work addresses questions about appropriation, the distribution of cultural production, and the role and meaning of art. Novelist Rachel Kushner describes Seth Price’s work as a “vision so accurate it becomes fiction” in the way he probes and manipulates the flux of culture and the digital technologies of today.” Most recently, Seth Price's solo exhibition titled “No Technique” was on view at the Aspen Art Museum from November 2019-March 2020. In 2017-2018, Seth Price presented a comprehensive survey exhibition, Social Synthetic, at the Stedelijk Museum, Amsterdam, Netherlands which then travelled to the Brandhorst Museum, Munich, Germany. His exhibition Danny, Mila, Hannah, Ariana, Bob, Brad was on view at MoMA Ps1 over the summer of 2018. His most recent exhibition Hell Has Everything was on view at the Petzel Chelsea gallery in November 2018-January 2019. He also has had solo exhibitions at Institute of Contemporary Art, London; MAMbo - Museo d'Arte Moderna di Bologna, Italy; Kunsthalle Zürich, Switzerland; Modern Art Oxford, Oxford, England (with Kelley Walker); Petzel Gallery, New York; Galerie Gisela Capitain, Cologne; Art Gallery of Ontario, Canada; Galleria Emi Fontana, Milan, Italy (with Michael Smith); Artists Space, New York; and Reena Spaulings Fine Art, New York. Group exhibitions include dOCUMENTA (13), the 2011 Venice Biennale ILLUMInations, New Museum of Contemporary Art, New York; Altermodern, the fourth Tate Triennial at Tate Britain, UK; Galerie Rudolfinum, Prague; Blanton Museum of Art, Austin, Texas; Le Plateau, Paris; Air de Paris, Paris; Greater New York at P.S.1 Center for Contemporary Art, New York; Kunsthalle Basel; SculptureCenter, Long Island City, New York; the 2002 and 2008 Whitney Biennials; 2003 Ljubljana Biennial; Palm Beach Institute of Contemporary Art, Florida; and Paula Cooper Gallery, New York, among others.
His video works have been screened at the Rotterdam Film Festival; Tate Britain, London; Institute of Contemporary Art, London; The Museum of Modern Art, New York; Eyebeam, New York; and Biennale de l'Image en Mouvement, Saint-Gervais, Geneva, among others. In January 2019, the Guggenheim presented Price's on-going video Redistribution. Over time, it has been presented in eight distinct versions; this event will feature the newest.
His work is included in the collections of the Kunsthaus Zürich, Zürich; the Museum of Modern Art, New York; the Whitney Museum of American Art, New York.
SINCE THE EARLY 2000S, WHEN HIS WORK BEGAN TO APPEAR IN THE CONTEXT OF THE VISUAL ARTS, SETH PRICE HAS CONSIDERED WHAT IS AT STAKE WHEN THE PHYSICAL AND FORMAL DIFFERENTIATION OF “THINGS” AND HOW WE COME TO KNOW THEM AS MATERIAL REALITY—BODIES AND OBJECTS BUT ALSO TEXTS AND SOUNDS, AS WELL AS A RANGE OF SENSUAL AND BEHAVIORAL RELATIONSHIPS, WHETHER IN THE ARTS, POLITICS, OR ANY AREA OF EVERYDAY LIFE—ARE CHALLENGED AND TRANSFORMED BY THE UNIFIED FLOW OF IMAGES AND INFORMATION IN THE INTERMINABLE DIGITAL STREAM.
.Excerpt from Beatrix Ruf's introduction to Social Synthetic, 2017
