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Rob Swainston & Zorawar Sidhu - The Mirror that Nature Holds - Collect - Petzel Gallery

The Mirror that Nature Holds

The Mirror that Nature Holds brings together a vast array of contemporary artists whose practices reflect the natural world as a site of wonder, memory, unease, and potential. In dialogue with the philosophical legacy of the sublime, such as the transcendental aspirations of Caspar David Friedrich and the atmospheric expanses of J. M. W. Turner, the exhibition explores how artists today approach landscapes that inspire awe even as they signal precarity.

Drawn from the unparalleled collections of Jordan D. Schnitzer and his family’s foundation, the exhibition includes 90 works across painting, print, sculpture, and installation. Artists reflect the overwhelming splendor of forests, oceans, deserts, and skies. Awe is presented as an ethical encounter: to be dwarfed by a mountain range or enveloped by the sky is to be reminded of forces beyond human control.

That reminder, however, carries discomfort. Several works grapple with the destabilizing scale of a planet in crisis—generational storms, megafires, rising seas, and resulting migrations. Working together, artists Zorawar Sidhu and Rob Swainston foreground climate anxiety not as abstraction but as lived conditions through their monumental woodcuts on fabric. 

Zorawar Sidhu and Rob Swainston

Our House Is on Fire, 2023-2025

Signed, titled and editioned on back

Multi-color woodcut on fabric

Framed: 101 7/8 x 147 3/4 in
258.8 x 375.3 cm

Edition of 3 plus 2 AP

(ZSRS 24/008)

Zorawar Sidhu and Rob Swainston

Our House Is on Fire, 2023-2025

Signed, titled and editioned on back

Multi-color woodcut on fabric

Framed: 101 7/8 x 147 3/4 in
258.8 x 375.3 cm

Edition of 3 plus 2 AP

(ZSRS 24/008)

Rob Swainston & Zorawar Sidhu - The Mirror that Nature Holds - Collect - Petzel Gallery

Their series of large-scale, multi-color woodcut prints on fabric, considers the age of the Anthropocene and the relationship between human impact and shifting natural geographies. Referencing canonical artworks, Sidhu and Swainston lend iconic visual allegories to lasting social conditions and humanitarian issues; for example, their “Raft” depicts contemporary displaced peoples and a history of forced migrations. Made using a custom-built press to accommodate the scale of these works, these monumental woodcut prints demonstrate a mastery of technique and process, with layers of tonal values building complex compositions. 

Zorawar Sidhu and Rob Swainston

Raft, 2023-2024

Signed, titled and editioned on back

Multi-color woodcut on fabric

Framed: 78 x 102 1/8 in
198.1 x 260.4 cm

Edition of 3 plus 2 AP (#3/3)

(ZSRS 24/003)

Zorawar Sidhu and Rob Swainston

Raft, 2023-2024

Signed, titled and editioned on back

Multi-color woodcut on fabric

Framed: 78 x 102 1/8 in
198.1 x 260.4 cm

Edition of 3 plus 2 AP (#3/3)

(ZSRS 24/003)

Rob Swainston & Zorawar Sidhu - The Mirror that Nature Holds - Collect - Petzel Gallery

A group of color etchings made in collaboration with Columbia University Neiman Center for Print Studies titled Spring Wake, highlights environmental issues in various regions, rendering signposts of protest with native plants of the respective terrain. For example, “Japanese Lily” layers images of activists protesting the radioactive water released from the Fukushima nuclear power plant into the sea, while “Fairy Primrose” depicts protests of the ecocide resulting from the ongoing Ukraine War—each indigenous flora overlaid atop the local environmental threat. Bearing an almost documentarian quality, these prints link political turmoil and climate disaster intimately with the depicted landscapes. 

Zorawar Sidhu and Rob Swainston

Spring Wake Vol. 1, 2025

Signed, titled and editioned on front

Full edition of 8 etchings on Hahnemühle paper

Paper dimensions:
4 editions, each:
13 5/8 x 11 in
34.6 x 27.9 cm
4 editions, each:
11 x 13 5/8 in
27.9 x 34.6 cm

Edition 3/20 plus BAT and 8 AP

(ZSRS 25/003.03)

Zorawar Sidhu and Rob Swainston

Spring Wake Vol. 1, 2025

Signed, titled and editioned on front

Full edition of 8 etchings on Hahnemühle paper

Paper dimensions:
4 editions, each:
13 5/8 x 11 in
34.6 x 27.9 cm
4 editions, each:
11 x 13 5/8 in
27.9 x 34.6 cm

Edition 3/20 plus BAT and 8 AP

(ZSRS 25/003.03)

Rob Swainston & Zorawar Sidhu - The Mirror that Nature Holds - Collect - Petzel Gallery

Zorawar Sidhu (b. 1985, Ludhiana, India) and Rob Swainston (b. 1970, Mechanicsburg, Pennsylvania) are a collaborative art duo exploring the intersection of historical print processes with contemporary technologies. Their projects investigate the complexities of contemporary social issues by drawing from the history of print as the medium par excellence of social movements. They have exhibited together at the Hall Art Foundation, Reading (2024); University at Buffalo Anderson Gallery, Buffalo (2024); Staatliche Museen zu Berlin, Berlin (2024); Jordan Schnitzer Family Foundation, Portland (2023); Museum of Contemporary Art Arlington, Arlington (2023); The Patricia and Philip Frost Art Museum, Miami (2023); Syracuse University Art Museum, Syracuse (2023); United States Department of State, Washington, D.C. (2023); Princeton University Art Museum, Princeton (2023); among others.
 
Sidhu and Swainston’s collaborative work is included in the collections of the Art Museum of West Virginia University, Morgantown, West Virginia ; Hall Collection, Reading, Vermont; Jordan Schnitzer Family Foundation, Portland, Oregon; Mead Art Museum, Amherst, Massachusetts; Museum of Fine Arts, Houston, Texas; Museum of Modern Art, New York, New York; New York Public Library, New York, New York; National Gallery of Art, Washington, DC; Staatliche Museen zu Berlin, Berlin, Germany; and the Syracuse University Art Museum, Syracuse, New York.

Zorawar Sidhu has a background in art history and fine arts. His projects recreate art historical artifacts using contemporary technology and historical materials and techniques. He has exhibited projects with galleries and museums nationally, including exhibitions with Marginal Utility, Philadelphia; Spring/Break Art Show with Field Projects, New York; Five Myles, Brooklyn; the Museum of the Pennsylvania Academy of Fine Arts, Philadelphia; and the Museum of The Town of Vestal, New York.

Rob Swainston’s work is informed by a dual academic background in political science and art. He is an Associate Professor at Purchase College and co-founder and Master Printer for Prints of Darkness. Rob has been awarded numerous residencies including Skowhegan, Marie Walsh Sharpe, and the Fine Arts Work Center. Solo and group exhibitions include Marginal Utility, Philadelphia; David Krut Projects, New York; BravinLee Programs, New York; Socrates Sculpture Park, New York; Smack Mellon, Brooklyn; Provincetown Art Association and Museum, Provincetown; Print Center New York, New York; Canada Gallery, New York; Queens Museum, New York; and the Bronx Museum, New York. In 2020–21, Rob was the Ludwig Foundation Professor for Printmaking at the Weissensee Kunsthochschule Berlin.

View more of Zorawar Sidhu's and Rob Swainston's works.