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Yael Bartana, MANIFESTO JRMIP

Yael Bartana

MANIFESTO JRMIP

Polish

2012

Silkscreen on paper

28.74 x 20.67 inches

73 x 52.5 cm

Edition 1/3, 2

€5,000

Yael Bartana, MANIFESTO JRMIP

Yael Bartana

MANIFESTO JRMIP

Hebrew

2012

Silkscreen on paper

28.74 x 20.67 inches

73 x 52.5 cm

Edition 1/3, 2

€5,000

Yael Bartana, MANIFESTO JRMIP

Yael Bartana

MANIFESTO JRMIP

Arabic

2012

Silkscreen on paper

28.74 x 20.67 inches

73 x 52.5 cm

Edition 1/3, 2

€5,000

Yael Bartana, Tashlikh (Cast Off)

Yael Bartana

Tashlikh (Cast Off)

2017

One channel video and sound installation

duration: 11:05 minutes

1, 2 AP

€60,000

Video Transcript 
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Yael Bartana, I AM A FEMINIST

Yael Bartana

I AM A FEMINIST

2016

Neon light

49.61 x 62.99 inches

126 x 160 cm

Edition 1/5

€30,000

Yael Bartana, Next Year in New Jerusalem

Yael Bartana

Next Year in New Jerusalem

2014

Neon

59.06 x 59.06 inches

150 x 150 cm

Edition of 3, 2 AP

€25,000

© Raimond Spekking

Yael Bartana (b. 1970, Kfar-Yehezkel, Israel) explores the imagery of identity and the politics of memory in her films, installations and photographs explore. Her starting point is the national consciousness propagated by her native country, Israel. Central to the work are meanings implied by terms like “homeland”, “return” and “belonging”. Bartana investigates these through the ceremonies, public rituals and social diversions that are intended to reaffirm the collective identity of the nation state.

In her Israeli projects, Bartana dealt with the impact of war, military rituals and a sense of threat on every-day life. Between 2006 and 2011, she has been working in Poland, creating the trilogy And Europe Will Be Stunned, a project on the history of Polish-Jewish relations and its influence on the contemporary Polish identity. The trilogy represented Poland in the 54th International Art Exhibition in Venice (2011).

In recent years Bartana has been experimenting and expanding her work within the cinematic world, presenting projects such as Inferno (2013), a “pre-enactment” of the destruction of the Third Temple, True Finn (2014), that came into being within the framework of the IHME Festival in Finland, and Pardes (2015) which was shot during a spiritual journey in the Amazon rainforest in Brazil. Her latest work, Simone The Hermetic, is a site-based sound installation that takes place in future Jerusalem. 

Video

Yael Bartana

Mary Koszmary

2007

One channel video and sound installation 16 mm film transferred to DVD color/sound

Duration: 10:50 minutes

Edition of 8

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