This catalogue was published on the occasion of the exhibition Charline Von Heyl at the Secession, Vienna, July 2 - September 5, 2004
This publication contains the essay
"Big Joy Time" by John Kelsey
Published by Secession, Vienna
© 2004 Secession, the artist and the authors
About the artist
Charline von Heyl (b. 1960, Germany)
Charline von Heyl was born in Germany in 1960 and has lived in the United States since 1996. She studied painting in Hamburg and Düsseldorf and participated in the Cologne-based art scene in the 1980s. She currently divides her time between New York, NY and Marfa, TX.
Von Heyl’s first survey show was at Le Consortium, Dijon in 2009. Her first U.S. museum show was at the Dallas Museum of Art in 2005 and her first US survey was at the Institute of Contemporary Art in Philadelphia in 2011.
Her work has been exhibited both in the United States and abroad, including solo museum exhibitions at the Hirshhorn Museum and Sculpture Garden, Washington DC (2018); the Museum Dhondt-Dhaenens, Deurle, Belgium (2018); Corbett vs. Dempsey, Chicago (2015); the Tate Liverpool, United Kingdom (2012); the Kunsthalle Nurnberg, Germany (2012); Le Consortium, Dijon, France (2009), and the Vienna Secession, Vienna, Austria (2004), among many others.
Her work has been included in group exhibitions at Greene Naftali, New York (2019); Kunsthalle Nürnberg, Germany (2017); Gladstone Gallery, New York (2018); The Institute of Contemporary Art Chicago (2016); Museum Brandhorst, Munich (2015); The Museum of Modern Art, New York (2014); Sculpture Center, New York (2011), and The Hammer Museum in Los Angeles (2008), among many others.
Von Heyl’s works are in the collections of the Musee d’Art Moderne de la Ville de Paris; the Tate, London; the Museum of Contemporary Art, Los Angeles; the Hammer, Los Angeles; the Museum of Modern Art, New York; The Guggenheim Museum, New York; the Institute of Contemporary Art, Boston; and the San Francisco Museum of Modern Art, among others.