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Charline von Heyl



This catalogue was published on the occasion of the exhibition Charline von Heyl: Now or Else, presented at Tate Liverpool, Liverpool, February 24 - May 27, 2012 and Kunsthalle Nürnberg, Nuremberg, July 11 - September 30, 2012

The catalogue contains the following essays:
"Sieben Kapitel über, Charline von Heyl" by Kirsty Bell
"Charline von Heyl: Das Streben nach Unordnung" by Gavin Delahunty

Edited by Angela Lohrey

Published by Tate Liverpool and Kunsthalle Nurnberg (2013)

Soft cover
Page count: 130
29.21 x 22.86cm

© 2012 Kerber Verlag Berlin, editor, artist and authors

ISBN: 978-3-86678-733-9


About the artist 

Charline von Heyl (b. 1960, Germany)

Charline von Heyl was born in Germany in 1960 and has lived in the United States since 1996. She studied painting in Hamburg and Düsseldorf and participated in the Cologne-based art scene in the 1980s. She currently divides her time between New York, NY and Marfa, TX.

Von Heyl’s first survey show was at Le Consortium, Dijon in 2009. Her first U.S. museum show was at the Dallas Museum of Art in 2005 and her first US survey was at the Institute of Contemporary Art in Philadelphia in 2011.

Her work has been exhibited both in the United States and abroad, including solo museum exhibitions at the Hirshhorn Museum and Sculpture Garden, Washington DC (2018); the Museum Dhondt-Dhaenens, Deurle, Belgium (2018); Corbett vs. Dempsey, Chicago (2015); the Tate Liverpool, United Kingdom (2012); the Kunsthalle Nurnberg, Germany (2012); Le Consortium, Dijon, France (2009), and the Vienna Secession, Vienna, Austria (2004), among many others.

Her work has been included in group exhibitions at Greene Naftali, New York (2019); Kunsthalle Nürnberg, Germany (2017); Gladstone Gallery, New York (2018); The Institute of Contemporary Art Chicago (2016); Museum Brandhorst, Munich (2015); The Museum of Modern Art, New York (2014); Sculpture Center, New York (2011), and The Hammer Museum in Los Angeles (2008), among many others.

Von Heyl’s works are in the collections of the Musee d’Art Moderne de la Ville de Paris; the Tate, London; the Museum of Contemporary Art, Los Angeles; the Hammer, Los Angeles; the Museum of Modern Art, New York; The Guggenheim Museum, New York; the Institute of Contemporary Art, Boston; and the San Francisco Museum of Modern Art, among others.