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The Space Between Reference and Regret

The Space Between Reference and Regret
Installation view
Friedrich Petzel Gallery
2010

The Space Between Reference and Regret

The Space Between Reference and Regret
Installation view
Friedrich Petzel Gallery
2010

The Space Between Reference and Regret

The Space Between Reference and Regret
Installation view
Friedrich Petzel Gallery
2010

The Space Between Reference and Regret

The Space Between Reference and Regret
Installation view
Friedrich Petzel Gallery
2010

The Space Between Reference and Regret

The Space Between Reference and Regret
Installation view
Friedrich Petzel Gallery
2010

The Space Between Reference and Regret

The Space Between Reference and Regret
Installation view
Friedrich Petzel Gallery
2010

The Space Between Reference and Regret

The Space Between Reference and Regret
Installation view
Friedrich Petzel Gallery
2010

The Space Between Reference and Regret

The Space Between Reference and Regret
Installation view
Friedrich Petzel Gallery
2010

Stephen Prina Exquisite Corpse: The Complete Paintings of Manet

Stephen Prina
Exquisite Corpse: The Complete Paintings of Manet
80 of 556 (Portrait of Zacharie Astruc), 1864
1990

Heimo Zobernig Untitled

Heimo Zobernig
Untitled
1993
Preprimed canvas and wood
96 x 214 x 1 5/8 inches (overall)

Matthew Brannon Useful—Useless—Used

Matthew Brannon
Useful—Useless—Used
2010
Collage and acrylic on canvas
32 x 28 inches

Matthew Brannon Psychological

Matthew Brannon
Psychological
2010
Collage and acrylic on canvas
32 x 26 inches

Allan McCollum Collection of  480 Plaster Surrogates

Allan McCollum
Collection of 480 Plaster Surrogates
1982/1989 Gray Frames
Enamel on cast Hydrostone

Philippe Parreno Speech Bubbles (Red)

Philippe Parreno
Speech Bubbles (Red)
2010
2000 red mylar balloons and balloon gas

Karin Sander Mailed Painting

Karin Sander
Mailed Painting
Bonn-Gmuden-New York

2007
White primed canvas
Diameter 59.06 inches

Karin Sander Gebrauschsbilder

Karin Sander
Gebrauschsbilder
2010
White primed canvas
48 x 36 inches

Karin Sander Gebrauschsbilder

Karin Sander
Gebrauschsbilder
2010
White primed canvas
48 x 36 inches

Cheyney Thompson Untitled (Magenta-Green)

Cheyney Thompson
Untitled (Magenta-Green)
2009
Oil on canvas
55 1/2 x 44 inches

Press Release

Matthew Brannon
Daniel Buren
Wade Guyton
Allan McCollum
Philippe Parreno
Stephen Prina
Karin Sander
Cheyney Thompson
Heimo Zobernig

Opening reception: Thursday, September 9th from 6-8 PM

In 1951 Robert Rauschenberg made his white paintings which were called by his friend and contemporary John Cage "airports of the lights, shadow and particles" referencing the white surface's sensitivity to its surroundings. Through Cage's observation, the white painting acts much like a screen on to which a shadow, for example, could suddenly alter the perception of the art. Within that frame, the artwork's surface can only seemingly refer to itself and becomes transitory in meaning, letting both the environment and the viewer's perception dictate its reference point.

This exhibition brings together a group of contemporary artists whose practices are aligned with a keen sense of how a work of art both simultaneously contains and references information. The exhibition explores the point where the object and concept converge within a sparse or minimal field. With each artwork's bare aesthetics, meaning shifts depending upon the artist's intentions, the viewer's perception and participation, or the physical space's layout.

The gallery space itself parallels Cage's observation in that the seemingly austere placement diverges into multiple individual conceptual strategies. Attention is drawn to the question of site specificity by Daniel Buren's work and Stephen Prina 'system specific' practices that engage traditional concepts of site specificity together with institutional criticism. The object itself becomes the center of focus in Heimo Zobernig's primed white canvas, while Allan McCollum's multiple pieced 'surrogates' explore ideas of the unique object and that of the division of labor, and Wade Guyton's "Untitled" paintings of large X's printed upon white canvases act as empty ciphers and signifiers upon an already vanquished visual plane. Hovering just below the ceiling, Philippe Parreno's "Speech Bubbles" provide a proverbial empty depository for the individual voice of the viewer. The balloons create an idealistic installation for social dialogue, each object containing an individual voice in a group of shared interests. For these artists, reduction to the bare elements is not bound to the aesthetics of nothingness but rather becomes a vehicle to expand concept infinitely.

Friedrich Petzel Gallery is located at 537 West 22nd Street New York, NY 10011. The gallery is open Tuesday through Saturday from 10:00 AM – 6:00 PM. For further information, please contact the gallery at info@petzel.com, or call (212) 680-9467.