Philippe Parreno

Suicide in Vermillon Sands

537 W 22nd Street

October 10 – November 15, 2008

Suicide in Vermillion Sands
Installation view
Friedrich Petzel Gallery
2008

Suicide in Vermillion Sands
Installation view
Friedrich Petzel Gallery
2008

Suicide in Vermillion Sands
Installation view
Friedrich Petzel Gallery
2008

Suicide in Vermillion Sands
Installation view
Friedrich Petzel Gallery
2008

Small Version of Guggenheim Marquee
2008
10 mm acrylic translucent glass, steel frame, light bulbs, neon tubes

Small Version of Guggenheim Marquee
2008
10 mm acrylic translucent glass, steel frame, light bulbs, neon tubes

Small Version of Guggenheim Marquee
2008
10 mm acrylic translucent glass, steel frame, light bulbs, neon tubes

Suicide in Vermillion Sands
Installation view
Friedrich Petzel Gallery
2008

Suicide in Vermillion Sands
Installation view
Friedrich Petzel Gallery
2008

First Page, Last Page
2008
Vermillion pigment on paper
Each 30.25 x 22.5 inches

infinite urban landscape, curious echoes stir, a light hysterical laugh
2008
Vermillion pigment on paper
Each 30.25 x 22.5 inches

skies are larger, air more generous
2008
Vermillion pigment on paper
Each 30.25 x 22.5 inches

a new dimension in living, psychotropic houses, clear concrete, liquid stone, shy objects, sodium lights, sonic jewels glinting, soprano mimosas singing, idyll and romance, non-aural music & erotic food
2008
Vermillion pigment on paper
Each 30.25 x 22.5 inches

(multiple titles)
2008
Vermillion pigment on paper
Each 30.25 x 22.5 inches

I introduce myself as a mistake
2008
Vermillion pigment on paper
Each 30.25 x 22.5 inches

born from the living dead, no city wants me, the underground man, inhabiting someone else's brain, never show any emotion or response, ice face
2008
Vermillion pigment on paper
Each 30.25 x 22.5 inches

I don't sweat anymore, ethical corpse, anguished squid, self-destructive cells, keep your secret secretly, it doesn't do any good to talk, Darling, you're getting over-intuitive again
2008
Vermillion pigment on paper
Each 30.25 x 22.5 inches

dreaming the real, phonoglutamate, a red signal, underlying neural activity, concatenated reentrant loops-Semiophysis, falls into the dimensions of the pictogram
2008
Vermillion pigment on paper
Each 30.25 x 22.5 inches

(multiple titles)
2008
Vermillion pigment on paper
Each 30.25 x 22.5 inches

fictionalizing frequencies, I'll take your brain into another dimension, feel the fever rising, lightning flashes, "Where are you going? Everything is dead in here"
2008
Vermillion pigment on paper
Each 30.25 x 22.5 inches

flexed and quivering, say goodbye to the wind, everything falls into place, release the repressed material
2008
Vermillion pigment on paper
Each 30.25 x 22.5 inches

acute urgency, ultrasonic squirrel screams, crushing skulls and bones, the violence is unique, suicide party, your own self-requiem
2008
Vermillion pigment on paper
Each 30.25 x 22.5 inches

severe sonic trauma, literally black, you are weightless...
2008
Vermillion pigment on paper
Each 30.25 x 22.5 inches

after affects, the whole world is singing, the tailor killed by his own cloth, I can hear them laughing
2008
Vermillion pigment on paper
Each 30.25 x 22.5 inches

I-go.
2008
Vermillion pigment on paper
30.25 x 22.5 inches

White Marquee
2008
10 mm acrylic translucent glass, steel frame, light bulbs, neon tubes
78.74 x 39.37 x 11.81 inches

Opening Reception: Friday, October 10, 6–8 pm

"What unfolds is not a multitude of characters and fates in a single objective world, illuminated by a single authorial consciousness; rather a plurality of consciousnesses, with equal rights and each with its own world, combine but are not merged in the unity of the event."

-M.M. Bakhtin, Problems of Dostoevsky's Poetics

Friedrich Petzel Gallery is pleased to present Suicide in Vermillon Sands, Philippe Parreno's fourth solo exhibition at the gallery.

A hallway leading into the exhibition holds a red theater marquee. The newest version of Parreno's flashing labels, the marquee flashes on and off, consuming the exhibition space. These twinkling red lights refer to the cinematic technique of a shot which presents the face of someone looking at the flames of a fire. The fire is never seen, but its presence is felt through the flickering light which falls across the actor's face. The marquee produces the same experience as a flickering light machine produces in the movies. Upon entering the space, it feels as if the gallery is on fire. The stage is set for a drama.

The hallway opens onto a room with a series of 78 drawings, all done in monochrome vermilion. The drawings were based on the illustrations of 31 graphic designers with whom Parreno collaborated over several years, creating a polyphony of voices. The multiplicity and coexistence of these voices form a dialogue which replaces any finalizability or temporal configuration of a story,
the story of a character who appears and disappears in New York City in October, 2008.

The third room of the gallery presents a third chapter to the story. In this all white space with a white, ghostlike marquee, a magician makes a comic book of the drawings continuously appear and disappear, just as the nearby red light of the marquee flickers and fades away, over and over again.

Philippe Parreno was born in Algeria in 1964. His upcoming solo exhibitions in 2009 include the the Kunsthalle Zürich, Musée national d'Art moderne - Centre Georges Pompidou, Beaubourg, the Irish Museum of Modern Art, Dublin, Museo de Arte Contemporáneo de Castilla y León, León, Center for Curatorial Studies and Art in Contemporary Culture, Bard College, Annandale-on-Hudson. Concurrent to this exhibition a larger marquee will be installed on the façade of the Guggenheim Museum as part of the exhibition Theanyspacewhatever scheduled to open on October 24. The artist lives and works in Paris.

There will be a magic performance for the opening of the exhibition on October 10 from 6 to 8pm.

For further information, please contact the gallery at info@petzel.com, or call (212) 680-9467. Friedrich Petzel Gallery is located at 537 West 22nd Street, New York, NY 10011.

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