Friedrich Petzel Gallery is pleased to announce an exhibition of new paintings by Charline von Heyl. This is her sixth solo exhibition at the gallery.
"Often, when we pose our gaze to an art image we have a fortright sensation of paradox. What reaches us immediately and straightaway is marked with trouble, like a self-evidence that is somehow obscure whereas what initially seemed clear and distinct is, we soon realize, the result of a long detour - a mediation, a usage of words. Perfectly banal, in the end, this paradox. We can embrace it, let ourselves be carried away by it, we can even experience a kind of jouissance upon feeling ourselves alternately enslaved and liberated by this braid of knowledge and not-knowledge, of universality and singularity, of things that elicit naming and things that leave us gaping....all this on one and the same surface of a picture or sculpture, where nothing has been hidden, where everything before us has been, simply, presented."
-Georges Didi-Huberman "Confronting Images"
"The spatial leaps, false starts and abrupt changes of direction or mood in these paintings create a sense of questioning and instability that keeps the viewer alert. Their vibrancy hints at desire, but never satisfaction. (...) The contradictions and reversals that have always characterized von Heyl's work are here, but are sublimated into forms that are now almost absurdly plain to see,
yet still resistant to unambiguous interpretation, swaying from recognizable to the intangible.
The contradictions are there in the sophisticated techniques flipping background to foreground and back again, and which look like they are printed but are hand painted.
The disruption, destruction and anachronism that have always figured in her work are reined in and the paintings become not so much a fight against the elements as an elaborate and entertaining dance with the elements within."
-Kirsty Bell "Its Own Reality"
This catalogue is published in conjunction with the exhibition "Charline Von Heyl" at the Secession, Wien,
July 2 - September 5, 2004
This publication contains the essay "Big Joy Time"
written by John Kelsey
Published by Secession
© 2004 Secession, the artist and the authors
This book has been published after the exhibition
"Charline von Heyl, Le jour de boire est arrivé"
held at the Le Consortium, Contemporary Art Center, Dijon,
14 March - 31 May 2009
with the support of Friedrich Petzel Gallery, New York and Galerie Gisela Capitain, Cologne
The catalogue contains the following essays:
The Chocolate Grinder by Franck Gautherot
Piece by Piece by Mark von Schlegell
Matter - Sing - Stimulus by Diedrich Diederichsen
The Not. The Eye. The Trick by Allison Katz
Published by Les presses du réel
© 2010 Les presses du réel