Stephen Prina
Biography
View Artist Bio (PDF 486 K)Exhibitions
Wade Guyton Stephen Prina
February 15, 2013
February 15, 2013
The Feverish Library
Organized in cooperation with Matthew Higgs
September 6 - October 20, 2012
Organized in cooperation with Matthew Higgs
September 6 - October 20, 2012
Stephen Prina
Painting
February 18 - April 28, 2012
Painting
February 18 - April 28, 2012
Wade Guyton and Stephen Prina
March 10, 2012
March 10, 2012
Stephen Prina and Wade Guyton
March 31, 2011
March 31, 2011
The Space Between Reference and Regret
September 9 - October 23, 2010
September 9 - October 23, 2010
Stephen Prina
The Way He Always Wanted It
March 28 - May 2, 2009
The Way He Always Wanted It
March 28 - May 2, 2009
Stephen Prina
The Second Sentence of Everything I Read Is You
November 9 - December 23, 2006
The Second Sentence of Everything I Read Is You
November 9 - December 23, 2006
Present Perfect
Group Show
January 21 - February 12, 2005
Group Show
January 21 - February 12, 2005
Stephen Prina
Homo Faber and Exquisite Corpse
April 3 - May 1, 2004
Homo Faber and Exquisite Corpse
April 3 - May 1, 2004
Stephen Prina
Galerie Max Hetzler, 1991 (Ten Years After)
February 23 - March 31, 2001
Galerie Max Hetzler, 1991 (Ten Years After)
February 23 - March 31, 2001
Stephen Prina
Push Comes To Love
January 15 - February 20, 1999
Push Comes To Love
January 15 - February 20, 1999
Selected Press
Art in America Interview
by Steel Stillman – May 2013b (PDF 0.9 MB)
Secession
Interview / Stephen Prina – May 2011b (PDF 155 K)
Frieze
Point Counter Point – May 2009b (PDF 2.3 MB)
Art Papers
Stephen Prina: Mutating Modernism – September/October 2008b (PDF 0.9 MB)
Frieze
Events, Stephen Prina, The Second Sentence of Everything I Read Is You, Park Avenue Armory, New York, USA – May 2008b (PDF 1 MB)
New York Magazine
The Facebook Biennial, How Social Networks Have taken Over This Year's Whitney Festivities – March 2008b (PDF 3.5 MB)
Whitney Biennial Exhibition Catalogue
Stephen Prina by Todd Alden – 2008b (PDF 365 K)
Catalogues
Stephen Prina
The Second Sentence of Everything I Read Is You
The Second Sentence of Everything I Read Is You
Stephen Prina
"Concerto for Modern, Movie, and Pop Music for Ten Instruments and Voice"
"Concerto for Modern, Movie, and Pop Music for Ten Instruments and Voice"
Stephen Prina
Exquisite Corpses: The Complete paintings of Manet 57 through 66 of 556
Exquisite Corpses: The Complete paintings of Manet 57 through 66 of 556
Stephen Prina
As He Remembered It
As He Remembered It
Stephen Prina
We Represent Ourselves to the World
We Represent Ourselves to the World
1 / 10A Structural Analysis and Reconstruction of MS7098 as Determined by the Difference Between the Measurements of Duration and Displacement
1990
for materials and dimensions, inquire within gallery
2 / 10Stephen Prina
Sonic Dan
3 / 10Haberdashery
2002, Ed. of 7
2 sets of silver cufflinks, satin and velvet box, 2 pedestals
each: 3.35 x 3.94 x 1.18 inches/8.5 x 10 x 3 cm
4 / 10Galerie Max Hetzler, 1991 (Ten Years After)
2001
toned, gelatin silver print, stained mahogany, rag board
screen print on acrylic, Ed. of 3
5 / 10To the People of Frankfurt am Main: Former Site of Reconstructed Schoenberg Study, Arnold Schoenburg Institute, Room 201, University of Southern California, Los Angeles, Reconstructed at Arnold Schönburg Centre, Vienna
2000
drywall, wood, vinyl, plexiglass, fluorescent lights
6 / 10Vinyl II
2000
16 mm film, color/sound
21 minutes, 30 second, Ed. of 7
7 / 10"What's wrong? Open the door! What's wrong? Open the door!...I was scared. What happened?... You can't lie underwater like on a bed and then just wait. You can't lie under water like on a bed and then just wait. ... It's impossible. ...Wait for what?... Idiot! Do you know the mess you can get me into? (Clear/Ramin)
1996
8 / 10Push Comes to Love: Yellow
1999
photo screenprint with acrylic and acrylic enamel on canvas
47 5/8 x 59 3/8 inches/150.8 x 121 cm
9 / 10Mailing List
1991
2 boxes of offset lithography on card stock and envelopes, birch veneer plywood
10 / 10Exquisite Corpse: The Complete Paintings of Manet
121 of 556, Le Fifre (The Fifer), 1866
Jeu de Faume, Louvre, Paris, September 11, 1990
1990
-
1 / 10A Structural Analysis and Reconstruction of MS7098 as Determined by the Difference Between the Measurements of Duration and Displacement
1990
for materials and dimensions, inquire within gallery -
2 / 10Stephen Prina
Sonic Dan -
3 / 10Haberdashery
2002, Ed. of 7
2 sets of silver cufflinks, satin and velvet box, 2 pedestals
each: 3.35 x 3.94 x 1.18 inches/8.5 x 10 x 3 cm -
4 / 10Galerie Max Hetzler, 1991 (Ten Years After)
2001
toned, gelatin silver print, stained mahogany, rag board
screen print on acrylic, Ed. of 3 -
5 / 10To the People of Frankfurt am Main: Former Site of Reconstructed Schoenberg Study, Arnold Schoenburg Institute, Room 201, University of Southern California, Los Angeles, Reconstructed at Arnold Schönburg Centre, Vienna
2000
drywall, wood, vinyl, plexiglass, fluorescent lights -
6 / 10Vinyl II
2000
16 mm film, color/sound
21 minutes, 30 second, Ed. of 7 -
7 / 10"What's wrong? Open the door! What's wrong? Open the door!...I was scared. What happened?... You can't lie underwater like on a bed and then just wait. You can't lie under water like on a bed and then just wait. ... It's impossible. ...Wait for what?... Idiot! Do you know the mess you can get me into? (Clear/Ramin)
1996 -
8 / 10Push Comes to Love: Yellow
1999
photo screenprint with acrylic and acrylic enamel on canvas
47 5/8 x 59 3/8 inches/150.8 x 121 cm -
9 / 10Mailing List
1991
2 boxes of offset lithography on card stock and envelopes, birch veneer plywood -
10 / 10Exquisite Corpse: The Complete Paintings of Manet
121 of 556, Le Fifre (The Fifer), 1866
Jeu de Faume, Louvre, Paris, September 11, 1990
1990